Theater, Dance, Comedy and Performance in Chicago

Piecing It Together: Millennial Actors Face New Challenges in Age of Technology

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Tyler Thompson and Peter Masterton in the web series “Chi City Dreamzzz”

By Danielle Levsky

When Peter Masterton isn’t practicing a scene as the Green Goblin, he stands backstage and checks his smartphone, sometimes scanning his Facebook news feed or looking for his next acting gig.

Masterton, who is currently in Corn Production’s “Spider-Man: The Musical: The Musical,”  is what professionals call a “slasher”: a person who works multiple jobs in different fields simultaneously. The term was introduced in 2007 by author Marci Alboher.

The “slasher” is an emerging and necessary career trend among millennial-aged actors. In order to support their budding careers, many actors, like Masterton, take on day jobs and are constantly on the lookout for their next role. Read the rest of this entry »

The Inescapable Past: Underscore Theatre Company’s Haymarket Musical

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The cast of "Haymarket: The Anarchist Songbook"/Photo: Alex Higgin-Houser

The cast of “Haymarket: The Anarchist’s Songbook”/Photo: Alex Higgin-Houser

By Hugh Iglarsh

The Haymarket affair remains not just a defining moment in Chicago history but also a contested and ambiguous one.

The basic facts are well-established: at the end of a labor protest on May 4, 1886, a dynamite bomb was thrown, killing seven police officers and an unknown number of workers. Later, eight “anarchists,” several of whom had not even been present at the protest, were found guilty by a kangaroo court not for what they had done but for what they believed. Three of the defendants were sentenced to prison and eventually pardoned. Four were hanged and one died in his cell, possibly at the hands of police. Seven of the eight were immigrants, six from Germany and another from England. The sole native Haymarket martyr was Albert Parsons, a Southerner and one-time Confederate soldier who underwent a change of heart, married a woman of color (Lucy Parsons, herself a celebrated radical) and became a revolutionary labor organizer during the Gilded Age, a time of starvation wages for many and unimaginable riches for few. Read the rest of this entry »

Creating Windows When Doors Are Shut: An Interview with Melissa DuPrey, Free Street Theater’s New General Manager

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By Loy Webb

Actor and comic Melissa DuPrey has a passion for arts, activism and community building that is as large and deep as the Pacific Ocean. Her story is one of terror and triumph. From surviving a horrific violent home invasion to rising through the theatrical ranks to become the new general manager of Free Street Theater, Melissa is living proof that women of color will make windows where doors have historically been shut in their faces. Read the rest of this entry »

Rutherford Sails Again: Pegasus Theatre Adapts Dr. Charles Johnson’s “Middle Passage”

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Dr. Charles Johnson

Dr. Charles Johnson with his grandson Emery/Photo: Zorn B. Taylor

By Loy Webb

Dr. Charles Johnson is more than an author. He is a literary icon. His historical novel “Middle Passage,” about the final voyage of an illegal American slave ship, has been ingrained into this country’s literary DNA. “Middle Passage” has gone on to become a “cultural artifact,” according to Johnson who in 1990 became the second African-American man to receive the National Book Award for Fiction.

When I call Dr. Johnson for our interview, I hear a small boy’s voice in the background. “Excuse me that’s my grandson. He’s playing around with my PC.” He proceeds to gently but sternly tell the four-year-old to take a breather. The young boy obliges for about ten seconds (as young boys do), then he’s on to whatever else in his grandfather’s study captures his attention.

Turns out even MacArthur Fellows have grandpa duty. Read the rest of this entry »

Islamophobia in the Suburbs: Behind “Mosque Alert,” Silk Road Rising’s Collaborative Take

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Jamil Khoury, Malik Gillani and Edward Torres, Mosque Alert. Photo: Silk Road Rising.

Jamil Khoury, Malik Gillani and Edward Torres/Photo: Silk Road Rising

By Sarah Conway

“There’s an interesting conversation taking place between the second floor and the basement,” Jamil Khoury says, as Silk Road Rising’s founding artistic director discusses the suburb-set “Mosque Alert” premiering March 24 at the historic Chicago Temple theater. Wedged between his play’s rehearsal and the polycultural lower-level theater was Dr. Larycia Hawkins, of Wheaton College controversy notoriety, who recently found herself at odds with her employer after her “embodied solidarity” with Muslims in late 2015. More alike than unalike, Dr. Hawkins’ hijab and the Al-Andalus Library and Community Center, a fictional centerpiece of Khoury’s newest play, are both embodiments of the clashes that result when physical representations of faith are met with suspicion, opposition and betrayal in suburban America. Read the rest of this entry »

A Chance To Be Good: “Richard III” Reimagined with Michael Patrick Thornton and The Gift Theatre

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By Noel Schecter

The darkest days for Michael Patrick Thornton began in the immediate aftermath of the spinal strokes that left him paralyzed and comatose for three days in 2003. Thornton then underwent extensive therapy at both the Rehabilitation Institute of Chicago (RIC) as well as at his home in Jefferson Park. This almost daily therapy lasted sometimes for as long as six hours and would sometimes entail Thornton reading aloud Shakespeare’s soliloquies and sonnets in an effort to help regain breath control and relearn how to project his voice without passing out at the end of a sentence. Thornton found this somewhat comforting as some of his earliest theatrical accomplishments, prior to his injuries, involved Shakespeare. Read the rest of this entry »

Teatro Vivo: Celebrating the Works of Latina/o Artists

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José Rivera in rehearsal for "Another Word for Beauty."/Photo Liz Lauren

José Rivera in rehearsal for “Another Word for Beauty”/Photo: Liz Lauren

Goodman Theatre’s Latino Festival began in 2003 as a way to highlight the often-silenced voices of Latinos in theater. This year, the now-biennial event is a “Celebration of Latina/o Artists” and highlights the work of two of the most powerful voices in the genre–José Rivera and María Irene Fornés–among others.

Read the rest of this entry »

The Return of the Ring Heads: An In-Depth Look at Lyric Opera of Chicago’s Next Season, Anchored by the Start of a New Ring Cycle

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Model of the set for Lyric's "Das Rheingold"

Model of the set for Lyric’s “Das Rheingold”

By Aaron Hunt

Lyric has announced its electric, eclectic 2016/17 season. If you’re already an operagoer, this is a major opportunity to put seldom-heard notches in your production belt. If not, this could be an exhilarating new journey where art forms merge, creating a distinctive experience.

The season begins with a new production of “Das Rheingold,” the first of four Wagner operas to be presented by Lyric, one each season, culminating in the glorious marathon of an entire “Ring Cycle” in April 2020. You could compare that event to binge-watching the complete “Star Wars” saga. Read the rest of this entry »

The Lion & The Lamb: Richard Cotovsky and the First and Last Days of Mary-Arrchie Theatre Company

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By David Witter

Richard Cotovsky is known as “The Godfather of Storefront Theater.” It’s a well-deserved title. For the last thirty years, the artistic director of the Mary-Arrchie Theatre Company has produced, acted, directed, written, painted, nailed, cleaned, mailed, bribed and even had a lamb live in his truck, all in order to keep producing art. Yet after twenty-six years, the company has lost its lease on its space at Sheridan and Broadway. For what may be the first time in his life, the Joseph Jefferson Award winner is not putting up a fight. After mounting more than sixty productions at Mary-Arrchie and acting in dozens of others in theaters across town, Cotovsky says he needs a break. There isn’t one person in Chicago theater who says he doesn’t deserve it. Read the rest of this entry »

Have a Little “Too Much”: Neo-Futurists Ring in the New Year

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"Too Much Light Makes the Baby Go Blind"/Photo: Joe Mazza, Brave Lux

“Too Much Light Makes the Baby Go Blind”/Photo: Joe Mazza, Brave Lux

By Mary Kroeck

“Too Much Light Makes the Baby Go Blind” was first performed by the Neo-Futurists in Chicago on December 2, 1988. The premise of the show was (and still is) to perform thirty plays in sixty minutes. All plays are written and performed by the ensemble with occasional audience participation. Now in its twenty-seventh year, “Too Much Light” is the longest-running show in the city.

For the past several years, singles and those looking for an alternative to traditional New Year’s Eve celebrations have gathered at the Neo-Futurarium. The cast promptly begins their show at 11pm. Actors and audiences alike end one year and begin another with live theater.

Kirsten Riiber has been an ensemble member with the Neo-Futurists since 2012 and has performed in the New Year’s Eve show for the past two years. “It’s a great alternative to a lot of the other events that happen that night,” Riiber says. “It seems to focus less on getting totally blasted and more on looking forward to a new year and remembering how the last year was.” Read the rest of this entry »