Theater, Dance, Comedy and Performance in Chicago

Review: 2666/Goodman Theatre

Recommended Shows, Theater, Theater Reviews, World Premiere No Comments »
Henry Godinez/Photo: Liz Lauren

Henry Godinez/Photo: Liz Lauren


“2666” is unlike anything you’ve ever seen before. That much I can promise. Beyond its gargantuan run time—which will be plenty of reason to put some out but also just enough to entice others in—this adaptation of Chilean poet and novelist Roberto Bolaño’s posthumously published, unfinished novel is the most challenging and rewarding theatrical event currently happening in our city. Read the rest of this entry »

Opening This Week: February 15-21, 2016

-News etc., Opening This Week No Comments »

Mary Winn Heider, John Ferrick and Gabe Franken/Photo: Tom McGrath

Monday February 15

“In A Word” at Strawdog Theatre Company. A world premiere from celebrated playwright Lauren Yee following the success of “Samsara” at Victory Gardens. Through March 19. For tickets and more information visit

“Awkward Phase Live!” at The Annoyance Theatre. To celebrate the release of their new book, The Awkward Phase will take to the stage for a one-night-only Valentine’s-themed live show. For tickets and more information visit

“Origins of Love: A Shakespeare Cabaret” at Random Acts Theatre. A one night tribute to that fickle and fortuitous feeling called love. For tickets and more information visit Read the rest of this entry »

Players 2016: The Fifty People Who Really Perform for Chicago

Players 50 2 Comments »


“Out with the old, in with the new,” is one of the many well-intentioned platitudes you hear frequently this time of year. Personally, I find that type of sharp-turn resolution a bit difficult to manage. As I see it, change is fluid; the past informs the present and portends the future. Newness grows organically out of the well-tilled soil of history. This also happens to be the way I think about Chicago’s arts community. The open terrain currently being transformed by our promising young upstarts would not exist had the heavy lifters of previous years not worked to cultivate it. And so it is in this space that we honor both parties by highlighting the artists who have served as great beacons and those whose stars are just beginning to rise. What follows is the current crop of our city’s fifty most moving, most shaking, most dream-making Players in theater, dance, comedy and opera.  Make a resolution you actually want to keep: check them out! (Kevin Greene)

Players was written by Zach Freeman, Kevin Greene, Sharon Hoyer, Aaron Hunt and Loy Webb
Photos by Joe Mazza/Brave Lux Read the rest of this entry »

Players 2015: The Fifty People Who Really Perform for Chicago

-News etc., Players 50 4 Comments »


The steady expansion of the performing arts in Chicago continues its marvelous pace, with more and better theater, dance, comedy and opera gracing more and better stages each passing year. The upward progression is so steady that epic undertakings—a new campus at Steppenwolf, a bigger chunk of Navy Pier for Chicago Shakes—seem almost business as usual these days. And that is a marvelous thing. This year we again celebrate the lesser-sung heroes offstage who deal with the less glamorous things like building those new stages, and paying those expanding payrolls without which the stars would have nowhere to shine.

Tragedy has been central to theater since the ancient Greeks first staged it, but the last year has brought a disproportionate volume of real-life tragedy to our community. No doubt, the expanding and maturing performing arts universe means that more members of its community will pass on each year, but the number of those struck down long before their expected hour was overwhelming these last twelve months and struck every corner of performing arts, from theater, to dance, to comedy, to opera. Molly Glynn, Jason Chin, Eric Eatherly, Bernie Yvon, Johan Engels, Julia Neary—and others we’ve unintentionally overlooked—we dim our collective marquee for you. (Brian Hieggelke)

Players was written by Zach Freeman and Sharon Hoyer
With additional contributions by Brian Hieggelke, Alex Huntsberger, Aaron Hunt, Hugh Iglarsh and Loy Webb

All photos by Joe Mazza/Brave-Lux, taken on location at Steppenwolf Theatre, Goodman Theatre, Lyric Opera of Chicago and Brave-Lux Studio Read the rest of this entry »

Review: Don Giovanni/Lyric Opera

Opera, Opera Reviews, Recommended Opera No Comments »
Photo: Todd Rosenberg

Photo: Todd Rosenberg


As an undergraduate at the University of Chicago decades ago, a friend suggested I take a class called “The Political Plays and Prefaces of George Bernard Shaw” because it was an easy A and, as a bonus, a great course. Not only did it live up to its billing, but it sparked my nascent devotion to the works of Shaw and a deep respect for his intellect. And one of the things I never forgot from our classroom discussion of “Man and Superman” was that Shaw considered Mozart’s “Don Giovanni” the greatest work of art ever created. No small praise from one of the greatest playwrights in history.

For no good reason, it took me decades to see the work myself, allowing that superlative to age untested in my memory, albeit leavened by the more measured expectations that a lifetime of arts consumption affords. Nevertheless, when Lyric Opera announced it as this year’s season opener, Shaw’s enthusiasm was the first thing I thought about. The second was that a director whose work I’ve admired at the Goodman Theatre where he’s artistic director, Robert Falls, was at the helm, ensuring an interpretation unlikely to get stuck in an unduly reverential treatment, like a musty old museum relic.

And so it does not. Falls’ work at the Goodman always seems to “go big” in both design and ambition; here on the Lyric’s far larger stage and cavernous auditorium, he has found an arena where his scale generates not a spark of friction of conflict with its confines. Read the rest of this entry »

Review: Luna Gale/Goodman Theatre

Recommended Shows, Theater, Theater Reviews, World Premiere No Comments »
Mary Beth Fisher and Erik Hellman/Photo by Liz Lauren

Mary Beth Fisher and Erik Hellman/Photo: Liz Lauren


The best twists in a story are not those that reveal some new and unexpected turn of events but those that reveal something new and unexpected about a character. Something that makes you (or at least the really loud audience member sitting directly behind you) gasp sharply and whisper “Ohhhh noooo” or, alternatively, “Ohhhh yessss” at its revelation. Playwright Rebecca Gilman’s latest work, now appearing at the Goodman Theatre in a world-premiere production directed by Robert Falls, has many such moments. And in the tightly crafted world that Gilman has created and that Falls has brought to life, each realization hits the mark.

The titular Luna Gale is an infant, brought to an Iowa emergency room by her meth-using teenage parents Karlie and Peter (Reyna de Courcy and Colin Sphar) and promptly put into the custody of Karlie’s mother Cindy (Jordan Baker) by veteran social worker Caroline (Mary Beth Fisher). But when the overly religious Cindy pushes for full adoption with the help of her pastor (Richard Thieriot), Caroline begins to wonder if living with her grandmother is really that much better for Luna in the long run. Especially if Luna’s troubled parents can turn their lives around for the sake of their child. Read the rest of this entry »

The Players 2014: The Fifty People Who Really Perform in Chicago

Players 50 5 Comments »

In the foreground, Mike Nussbaum. Continuing in a clockwise circle, Nathan Allen, Charles Newell, Autumn Eckman and Nick Pupillo, Rae Gray and Usman Ally, Alejandro Cerrudo, Ann Filmer, Michael Mahler, Michael Halberstam, Dave Pasquesi, Ayako Kato. In the background, T.J. Jagodowski.

Once was the time, when it came to performing arts, that Chicago was a great place to come from. But thanks to the constant upward trajectory of our community, Chicago is now a great place to come from AND to return to. Every year we see more and more evidence of this, whether it’s the regular homecomings of the likes of Michael Shannon and David Cromer, the Chicago reorientation of international stars like Renee Fleming and Riccardo Muti or the burgeoning national reputations of Tracy Letts and Alejandro Cerrudo, we’ve got quite a perpetual show going on. That means of course, that culling a growing short-list of 300 or so down to the fifty folks who make up this year’s Players, is getting more painful. But we’re crying tears of joy as we do it. What follows are the fifty artists (as opposed to last year’s behind-the-scenesters) in dance, theater, comedy and opera who are making the greatest impact on Chicago stages right now.

Written by Zach Freeman, Brian Hieggelke and Sharon Hoyer, with Mark Roelof Eleveld, Hugh Iglarsh and Robert Eric Shoemaker. Photos by Joe Mazza/Brave Lux

Pictured above: In the foreground, Mike Nussbaum. Continuing in a clockwise circle, Nathan Allen, Charles Newell, Autumn Eckman and Nick Pupillo, Rae Gray and Usman Ally, Alejandro Cerrudo, Ann Filmer, Michael Mahler, Michael Halberstam, Dave Pasquesi, Ayako Kato. In the background, T.J. Jagodowski.

All photos were taken at the Music Box Theatre in Chicago.

Read the rest of this entry »

Review: Measure for Measure/Goodman Theatre

Recommended Shows, Theater Reviews No Comments »
James Newcomb/Photo: Liz Lauren

James Newcomb/Photo: Liz Lauren


As the curtain rises on a nun in rapturous reflection, with the pulsing sounds of Donna Summer’s “Love to Love You Baby” scoring a sprawling, bawdy set of dirty neon and dirty sex behind her—various other states of rapture—and a man, post-coital with his hooker, holding a pistol to his head, the fever dreams of Calixto Bieito’s “Camino Real” so easily recur that you might feel like you’ve returned for another dose of the Spanish director’s controversial staging at the Goodman last season. But then, with its decadent seventies setting, its garish pimp clothes and graphic glimpses of illicit sex acts taking place upstairs, Steppenwolf’s recent “Hot L Baltimore” comes to mind as well. So too, with its moments of slow-motion choreographed ensemble entrances is a bit of Quentin Tarantino’s “Reservoir Dogs” in the mix. But lest you think that this production of the Bard’s “problem play” is derivative, know this: It is all Robert Falls’ “Measure For Measure.” A fair bit of William Shakespeare, too, but I’d suggest that never in the history of this play has such a raw and raucous production been seen as Falls hoovers in a half millennium of influences and spits out something wholly original. Read the rest of this entry »

#M4M: @RobertFalls201 and @JohnnyNewcity Talk @GoodmanTheatre’s “Measure for Measure”

-News etc. 1 Comment »
Photo: Liz Lauren

Photo: Liz Lauren

By Johnny Oleksinski

On January 28, @RobertFalls201 tweets, “Day before rehearsal begin & completely panicked; haven’t prepared enough, have no idea how to START & shouldn’t someone else be directing?”

Wait, the Robert Falls? The same Robert Falls whose “Long Day’s Journey Into Night” won the Tony Award for Best Revival of a Play and whose “Iceman Cometh” made Chicago ticket-holders the envy of the theatergoing world? That Robert Falls is “completely panicked?”

Yes, the Goodman artistic director regularly tweets the kind of thought-provoking artistic insights that were once confined to program notes, posthumously published memoir-festos and lucky late-night exchanges at the bar, but are now available on the web browsers and mobile devices of anyone who cares to follow. Falls nostalgically compares the sensation of tweeting to his youthful passion for radio; It has certainly opened up the artistic process and personal life of a powerful and gifted director. Yet, despite this useful new conversational mechanism, it’s still rare for an artistic director to have a Twitter account let alone actually make use of it.

Falls and I sit down in the Goodman’s posh Patrons’ Lounge—a room he says he’s only been in a handful of times before and humorously compares to a W Hotel—to talk about his new production of Shakespeare’s “Measure for Measure” and about his second life on Twitter: two seemingly unrelated topics, but truthfully, all I know of Falls’ production up till now came from his funny and oft-probing tweets. Read the rest of this entry »

The Players 2013: The 50 People Who Really Perform in Chicago

Players 50 3 Comments »

PLAYERSThough we publish a list of “players” every year, we alternate between those whose accomplishments are most visible on-stage (the artists, last year) and those who wield their influence behind the curtain (this year). Not only does this allow us to consider twice as many people, but it also puts some temporal distance between the lists. So, the last time we visited this cast of characters, two years ago, we were celebrating the end of the Richard M. Daley years in Chicago, fretting over a nation seemingly in the mood for a Tea Party and contemplating the possibility of a Latter Day Saint in the White House. Today, we’ve got a dancer in the mayor’s office, the most prominent Mormons are in a chorus line at the Bank of America Theatre and the Tea Cup runneth dry. Call us cockeyed optimists, but things sure look better from here. And so, meet the folks who, today, bring us the best theater, dance, comedy and opera in the nation.

Written by Zach Freeman, Brian Hieggelke, Sharon Hoyer and Johnny Oleksinski
Read the rest of this entry »