The Disappeared: A Review of Amarillo at Teatro Línea de Sombra
This co-presentation with Chicago Shakespeare Theater marks the highest profile debut of the inaugural Chicago International Latino Theater Festival.
Memory Palace: A Review of Tangles and Plaques at The Neo-Futurists
The latest mainstage production from The Neo-Futurists seeks to demystify and deepen our collective understanding of dementia.
Dirty Dancing: A Review of Billy Elliot at Porchlight Music Theatre
Porchlight’s inaugural production in their new home at the Ruth Page Center for the Arts feels ripped from today’s headlines.
Community Centered: A Review of Meet Juan(ito) Doe at Free Street Theater
Free Street Theater’s latest work is thematically and geographically centered in Chicago’s Mexican-American communities.
Familiar Farce: A Review of The Skin of Our Teeth at Remy Bumppo Theatre Company
This revival of Thornton Wilder’s strange and strangely prescient play feels as bizarre as it does familiar.
End Time: A Review of The Last Days of Judas Iscariot at Eclectic Full Contact Theatre
Stephen Adly Guirgis’ play wrestles with the motivations behind Christianity’s greatest betrayal.
