• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Log In
Newcity Stage logo

Review: Symmetry/Victory Gardens

by Ilanakowarski | June 16, 2005

by Ilanakowarski
June 16, 2005August 5, 2009Filed under:
  • Theater
  • Theater Reviews

David Field’s play makes passing references to the eerie, probabilistic world revealed by quantum mechanics, but it remains at its core thoroughly deterministic. Field’s story centers on Oscar Newman (Aaron Roman Weiner), a brilliant young physicist whose trajectory is subject to a number of disturbing influences. There’s his mentor Neal Julian (Matt DeCaro), a failed researcher turned administrator; there’s John Slocum (J.J. Johnston), the tough-talking robotics executive who wants him to head a new research institute; and there’s his new office mate, the inscrutable Ecco Sagada (Jennifer Liu), who, when not eating sushi or practicing tai chi, admonishes Oscar that “logic is a Western disease.” Unlike Michael Frayn’s “Copenhagen,” “Symmetry” uses physics merely as a narrative hook: Oscar could have been a prodigious young musician or marketing analyst without significantly changing the play, though we might have been spared his final epiphany that Western math must be left behind. Victory Gardens’ premiere does little to enliven Field’s dreary collection of character types. As if to dramatize the lessons of string theory, the actors often appear to inhabit separate dimensions, with Johnston phoning in his crusty executive from the vicinity of Baltimore. God may not play dice, but theater companies have to; “Symmetry” is not Victory Gardens’ finest throw. (John Beer)

This production is now closed.

Tagged:
  • Aaron Roman Weiner
  • David Field
  • J.J. Johnston
  • Jennifer Liu
  • Matt DeCaro
  • Michael Frayn
  • Victory Gardens

Post navigation

Previous Post Review: Endgame/ Court Theatre
Next Post Review: The True Ballad of Fall’s Blessings/Strawdog Theatre
A jazz band performs on stage in vintage attire; a singer stands at a microphone, musicians play instruments, and others watch. The set resembles a recording studio with stairs and an upper window labeled “RECORDING.”.

Goodman Stages a Magnificent Production of “Ma Rainey’s Black Bottom” by August Wilson In Wilson's 1982 play, the playwright imagined a recording session for prolific early-blues recording artist Gertrude “Ma” Rainey and her band in Chicago in 1927.

Mary Wisniewski April 10, 2026

Seriously Zany: A Review of “Noises Off” at Steppenwolf

Ted C. Fishman September 26, 2024

Reign Check: A Review of “The Audience” at Drury Lane

Tristan Bruns September 20, 2024
A portrait of an actor performing as Lenny Bruce, with a hand on his head holding a cigarette.

He Honestly Was So Much More: A Review of “I’m Not A Comedian… I’m Lenny Bruce” at Theatre 68

Noel Schecter March 19, 2024

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026