• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Review: Uncle Vanya/Apple Tree Theatre

by Ilanakowarski | June 23, 2005

by Ilanakowarski
June 23, 2005August 11, 2009Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews

RECOMMENDED

Apple Tree Theatre’s current, moving revival of Chekhov’s classic dramatization of hilarious and heartbreaking “scenes from country life” works largely in part due to a fluid and modern-sounding interpretation/translation by playwright Brian Friel, dubbed by some critics as the “Irish Chekhov” given the penchant of his own plays—“Dancing at Lughnasa,” for example—to poeticize the everyday ennui of unfulfilled lives in the provinces. In this “Vanya,” a richness of subtext and subtlety abounds alongside flights of fervid fancy, most notably those of Ross Lehman as the eponymous antihero. And though it is unfair to single out any one member of the strong ensemble, it is Lehman who more than any other actor effortlessly achieves—through vocal inflections and simple gesticulations—the most cogent exploration of his character’s many psychological layers. The play is clearly set in the Russia of yesterday but director Mark Lococo and his team of designers have eschewed any easy period associations to keep the spirit and feel—like Friel’s language—current. Whether adorning a period-like costume with a contemporary touch (a denim skirt for the otherwise demure Sonya; a polo for the handsome Astrov) or giving the actors a playing area (a studio-like, in-the-round platform with minimal props) versus a naturalistic setting, the design choices clearly help this “Vanya” straddle the past and the present, allowing for a group of nineteenth-century-inspired languid Russian landowners to teach twenty-first-century audiences a thing or two about the human condition. (F.O. Almeida)

Apple Tree Theatre, 595 Elm Place, Highland Park, (847)432-4335. Wed 7:30pm/Fri 8pm/Sat 5pm & 8:30pm/Sun 3pm & 7pm. $33-$38. Through July 17.

Tagged:
  • Anton Chekhov
  • Apple Tree
  • Brian Friel
  • Mark Lococo
  • Ross Lehman

Post navigation

Previous Post Review: Tintypes/Drury Lane Oakbrook
Next Post Review: George Gershwin Alone/Royal George Theatre

Instrumental Theatre Company Stages Chekhov at a Lakefront Edgewater Mansion

Tristan Bruns September 8, 2025

Battles on Language: A Review of “Translations” at Writers Theatre

Ted C. Fishman April 17, 2025

Chekhov on the Assembly Line: New Theatre Project Talks About Its Factory-Floor Production of “Uncle Vanya”

Hugh Iglarsh January 16, 2025
A woman sits upside down on a couch next to a man in a suit.

Human, All Too Human: A Review of “Three Sisters” by Invictus Theatre Company at Windy City Playhouse

Hugh Iglarsh June 14, 2024

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026