• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Review: Crumble (Lay Me Down, Justin Timberlake)/Dog & Pony Theatre Company

by Ilanakowarski | December 8, 2005

by Ilanakowarski
December 8, 2005July 24, 2009Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews

RECOMMENDED

Looking back at the year in Chicago theater, 2005 ranks up there as one of the more disappointing seasons to date. What’s been missing is a knockout production from a small, unknown theater company—until now. Squeaking in at the tail end of the year, Dog & Pony Theatre Company’s “Crumble (Lay Me Down, Justin Timberlake)” is an unexpected jolt of good theater: a show that feels unique and entirely unto itself. Eleven-year-old Janice is a strange kid, “hyper and weird and shitty.” The home she shares with her mother (who struggles to make sense of her daughter’s oddness, plus a few problems of her own) is a dump. If the apartment had its way, things would be different; we know this because a character called The Apartment, says so. “I was a mansion once,” he cries. “A kept mansion!” The anthropomorphic abode, in a hilarious turn by David Gray, is petulant, spoiled and a ludicrous ass. If your dog could speak, he would sound like this. It’s a great conceit from playwright Sheila Callaghan, who brings to mind a dark, screwed-up version of Judy Blume. Without resorting to sap, she conjures real emotional pathos within the warped goings-on between Janice (Marisa Lark Wallin in another very funny performance) and her mother (Laurie Larson, twitty and exasperated). Justin Timberlake and Harrison Ford make an appearance, as does a Molotov cocktail; if that doesn’t spark your interest, I don’t know what will. The production is co-directed by Jarrett Dapier and Krissy Vanderwarker, who have both spent time assistant-directing at the Steppenwolf—it shows; this pair knows exactly what it’s doing. (Nina Metz)

“Crumble (Lay Me Down, Justin Timberlake)” plays at Athenaeum’s Studio #2, 2936 North Southport, through December 31.

Tagged:
  • David Gray
  • Dog & Pony
  • Harrison Ford
  • Jarrett Dapier
  • Justin Timberlake
  • Krissy Vanderwarker
  • Laurie Larson
  • Marisa Lark Wallin
  • Sheila Callaghan
  • Steppenwolf

Post navigation

Previous Post Review: Radio City Christmas Spectacular/Rosemont Theatre
Next Post Review: From Nothing/Redmoon Theater
A woman in a red skirt and black top stands on stage as a man in a vest embraces her from behind. Other actors and dramatic lighting create a tense, theatrical atmosphere.

Stage Top 5: September 2026

Todd Hieggelke August 24, 2026
Two actors stand on a dimly lit stage facing each other, one in a red plaid shirt and khakis, the other in a long dark coat; an audience sits in the background and a person stands at the top of the stairs.

“Windfall” Begs the Question: What Is the Cost of a Life? Tarell Alvin McCraney’s world premiere at Steppenwolf examines the aftermath of a police killing.

Amanda Finn April 27, 2026
Two actors standing lit on opposite sides of a dark stage.

Surreal Reality: A Review of “You Will Get Sick” at Steppenwolf Theatre Company

Amanda Finn June 20, 2025

Grace Under Pressure: A Review of “The Book of Grace” at Steppenwolf Theatre

Mary Wisniewski April 14, 2025

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026