Caryl Churchill plays—always intensely verbal, Surrealist and heavy on choreography—can easily become trainwrecks, but GreyZelda’s production of one of her most difficult and strangest remains afloat, often inspiringly and always coherently—no small feat. The success of this “Skriker,” a series of nightmarish scenes following a terrifying shapeshifter and her human victims, is due in large part to Lisa Wilson’s brilliant inhabiting of the title character. She remains magnetic and articulate, even as she spouts out verse after verse of Churchill’s sometimes almost incoherent monologues. The other actors keep up, and the show feels fresh in its exploration of gender, horror and dream, not least of all because of its strong interactive element; making audiences squirm in true Brechtian fashion, actors consistently break down the fourth wall in what could otherwise be an estranging production. The set and costumes are a bit uninspired, relying too heavily on tropes from Halloween costumes, but once the lines begin, it hardly matters. (Monica Westin)
At Angel Island Theater, 731 West Sheridan, (773)871-0442. This production is now closed.
Buggin’ Out: A Review of Bug at Steppenwolf Theatre The audience is the fly on the wall of a dingy Oklahoma hotel room where Agnes White is taking refuge from her recently released, abusive ex-husband Jerry.
Not Without A Fight: A Review of "Relentless" at TimeLine Theatre Though the characters in "Relentless" are educated and well-to-do, they are far from reserved in world view—their rage seethes, hidden only by the comfort of their surroundings and the decorum of their lives.
Let’s See Together: A Review of "Choir Boy" at Steppenwolf Theatre Among other compelling reasons to see "Choir Boy" is the power and musicianship on songs sung by the young men who play the students in the choir at the Black, Christian Charles R. Drew School for Boys.
