• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Log In
Newcity Stage logo

Review: The Last Days of Judas Iscariot/The Gift Theatre Company

by Brian Hieggelke | June 19, 2008

by Brian Hieggelke
June 19, 2008July 23, 2008Filed under:
  • Recommended Shows
  • Theater Reviews

RECOMMENDED
“What if Judas was on God’s side?” pondered Bob Dylan in the 1960s, a notorious quip which became the basis for Tim Rice to write the libretto to the 1969 concept album “Jesus Christ Superstar” which though today may be dinner theater safe as a pious passion play, in its day, sparked immense protest and controversy. New York playwright Stephen Adly Guirgis has extended that basic idea into a full-scale afterlife trial of Judas Iscariot, an immensely clever idea which allows Guirgis to explore the purpose and role of religion in our lives in a daring and cutting-edge manner all too rare in plays where religion is used merely as set dressing. “The writers of the gospels,” shouts Mark Czoske as an annoyed High Priest Caiaphas under prosecutor Kathleen Logelin’s increasingly anti-Semitic inquisition, “they need forgiveness, not I.” It is a chilling moment, all the more powerful because the gospels have indeed been invoked across two thousand years of anti-Semitism that has attempted to place the blame for the death of Jesus on “the Jews.” Pilate, representing Rome—which became more allied with emerging Christianity as missionaries used the roads and infrastructure of its vast Empire to proselytize the new faith—finds himself exonerated of all blame. “You didn’t have to wash your hands,” Logelin scolds Pilate, “history has done it for you,” a history that as Pilate notes, was written by “four different Jews who weren’t there in the first place.” This is powerful stuff that would make Mel Gibson squirm and ultimately leads to a much-anticipated if ultimately somewhat anti-climactic confrontation between Judas (Michael Patrick Thornton) and Jesus (Syler Thomas) that seems needlessly and endlessly interrupted by another character. As is, the monologues currently feel more like beautiful but isolated beads haphazardly placed across a necklace rather than conceived as a compact and organic whole. But Guirgis is really on to something here that if allowed to evolve, has the potential to become a true masterpiece. (Dennis Polkow)

At the Victory Gardens Greenhouse, 2257 North Lincoln, (773)871-3000. Thu-Sat 7:30pm/Sun 2:30pm. $35-$40. Through July 20.

Tagged:
  • Gift Theatre
  • Kathleen Logelin
  • Mark Czoske
  • Michael Patrick Thornton
  • Stephen Adly Guirgis
  • Syler Thomas

Post navigation

Previous Post Review: Dante Dies!! (and then things get weird)/Sideshow Theatre Company
Next Post Review: Nelson Algren: For Keeps and a Single Day/Lookingglass Theatre
Two men in suits stand in a room with arched ceilings, facing a seated woman. Another person sits in the background at a table. The scene is dimly lit with lamps and chandeliers.

Gift Theatre’s “Marble” Starts Strong Before Going Cold and Hard Endings are never easy, but rarely does a play that begins so well move so decisively in the wrong direction as does Marina Carr’s 2009 work, an Irish dramedy that’s almost salvaged by a quartet of powerful performances.

Hugh Iglarsh August 7, 2026

A Harrowing Journey: A Review of “Jesus Hopped the ‘A’ Train” at City Lit Theater

Hugh Iglarsh August 8, 2025

Players 50 2024: The Rising Stars and Storefront Stalwarts

Newcity January 9, 2024

Players 50 2022: The Rising Stars and Storefront Stalwarts

Newcity January 7, 2022

Newcity cover showing woman with red hair and bird-face, with nest and crow on top of head.

September Issue
Fall Arts + Art 50

GET A COPY

SUBSCRIBE

NewcityLogo.png
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026