A visually stunning exploration of archetypal journeys. “Kafka on the Shore” follows an old man, damaged as a child in a mysterious accident, who searches blindly but faithfully for a cat and a mysterious stone; and a teenage runaway trying simultaneously to both determine and escape from his place in the world. The show incorporates elements of murder mystery, psychoanalytic theory and magical realism in its explicit mission to explore the boundary between the real world and the unconscious. Ultimately, both the greatest strength and weakness of the story is that none of the riddles are ever solved, and audiences will either be frustrated at all the strands that are left unraveled or else delighted at the open-ended conclusion. Instead, the play, beautifully adapted by Frank Galati from the novel by Haruki Murakami, acts as a kind of kaleidoscope of images and characters who morph, combine, and fall into patters of perfect dream logic. Juxtapositions of pop culture and bizarre sexual motifs provide comic relief and lightness when “Kafka” threatens to drown in its own weight. (Monica Westin)
At Steppenwolf Theatre, 1650 N. Halsted, (312)335-1650, September 18 through November 16. Click here for a special 2-for-1 offer for Newcity readers.
Walk Beside Me: A Review of Steppenwolf's "Chlorine Sky" The moving production is author Mahogany L. Browne’s adaptation of her verse novel. Sky, is the thoughtful, athletic, resilient character at the center of this young-adult play.
Buggin’ Out: A Review of Bug at Steppenwolf Theatre The audience is the fly on the wall of a dingy Oklahoma hotel room where Agnes White is taking refuge from her recently released, abusive ex-husband Jerry.
Let’s See Together: A Review of "Choir Boy" at Steppenwolf Theatre Among other compelling reasons to see "Choir Boy" is the power and musicianship on songs sung by the young men who play the students in the choir at the Black, Christian Charles R. Drew School for Boys.
