• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Log In
Newcity Stage logo

Review: Ivanov/SiNNERMAN Ensemble

by Lisa Buscani | October 5, 2009

by Lisa Buscani
October 5, 2009Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews

Ivanov_3RECOMMENDED

So, it’s Chekhov and people are “bored;” bored with their unfulfilled lives and their provincial neighbors. But thanks to some skilled performances, “Ivanov” isn’t boring; it’s a humorous tragedy about unrealized dreams.

Nikolai Ivanov (Jeremy Fisher) is a bankrupt landowner who wallows in his failed aspirations. His tubercular wife Anna (Cyd Blakewell) remains faithful to her husband, even when he abandons her nightly to seek brighter society at the Lyebedev home with their lovely daughter Alexandra (Sue Redman).

The first act is muddled by exposition, but the second is a hoot and the third a powder keg. Fisher captures Ivanov’s desolation; his pain is genuine and heartfelt. Blakewell’s Anna is heartbreaking; she allows her blind belief in her husband to be her undoing. Redman’s attempts to spark life into her prospective lover are amusing and frustrating. Thanks to Sheldon Patinkin’s astute direction, the ensemble handles Chekhov’s abrupt mood swings with aplomb. (Lisa Buscani)

“Ivanov,” SiNNERMAN Ensemble, 3111 N. Western, (773)296-6024, through November 7.

Tagged:
  • Anton Chekhov
  • Cyd Blakewell
  • Jeremy Fisher
  • Sheldon Patinkin
  • Sinnerman Ensemble
  • Sue Redman

Post navigation

Previous Post Review: Richard III/Chicago Shakespeare Theater
Next Post Review: Salem! The Musical/Annoyance Theatre
Two men in suits stand in a room with arched ceilings, facing a seated woman. Another person sits in the background at a table. The scene is dimly lit with lamps and chandeliers.

Gift Theatre’s “Marble” Starts Strong Before Going Cold and Hard Endings are never easy, but rarely does a play that begins so well move so decisively in the wrong direction as does Marina Carr’s 2009 work, an Irish dramedy that’s almost salvaged by a quartet of powerful performances.

Hugh Iglarsh August 7, 2026

Instrumental Theatre Company Stages Chekhov at a Lakefront Edgewater Mansion

Tristan Bruns September 8, 2025

Chekhov on the Assembly Line: New Theatre Project Talks About Its Factory-Floor Production of “Uncle Vanya”

Hugh Iglarsh January 16, 2025
A woman sits upside down on a couch next to a man in a suit.

Human, All Too Human: A Review of “Three Sisters” by Invictus Theatre Company at Windy City Playhouse

Hugh Iglarsh June 14, 2024

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026