Jesse is a videogame-playing rocket of a kid. But when Jesse’s exuberance disrupts his class and is followed by an ADHD diagnosis, his parents face a bewildering array of bad options. Drugs? Behavior modification? Unappetizing diet changes? Nothing seems to work.
Lisa Loomer’s meta-theatrical script captures the conundrum of modern parents living in a technologically advanced society at hyper speed. Donna Jay Fulks is appealing as the mother with the best intentions but no clue; Kevin Rich’s in-denial father is heartbreaking as he tries to protect and help his child. The multi-cast ensemble shines; Alan Wilder’s many “expert” roles are frustrating and amusing; OCD neighbor Dina Facklis steals the scene every time she steps onstage.
Andre LaSalle’s flat-screen-dominated set utilizes Mike Tutaj’s video design to effectively enhance the environment and narrate the story. P.J. Paparelli’s direction maintains the impossible pacing of a family we can all identify with. (Lisa Buscani)
A Second Company's Saga: The Spirited Story of Fifty Years of Chicago Opera Theater Chicago Opera Theater began as a handful of vocal students of company founder Alan Stone. It was formed by Stone to give his students actual performance practice and experience. Stone’s decision to present operas in English was a considerable break with convention back in 1973.
