For nearly 400 years, the Irish suffered at the hands of British landowners, suffocated by poverty, ignorance and superstition. But instead of focusing on its weaknesses, playwright Jim Lynch concentrates on the culture’s strengths—its cleverness and humor—to show poor farmers rising above tough times and surviving.
Lovers Katie (Marta Evans) and Finbar (Shane Kenyon) dream of leaving their village; Frankie (Nick Horst) dreams of staying, working the land and prospering. Finbar must go head-to-head with Katie’s over-protective, snobbish mother Breda (Miranda Zola); Frankie must outfox a corrupt priest (Malcom Callan).
Frank Nall and Bill Boehler’s slapstick is a hoot, Horst and Callan’s confrontation is a fearsome thing to watch. But the gem of the evening is Finbar’s come-to-jesus meeting with Breda; Kenyon savors his advantage like a starving man at a steak dinner while Zola gives as good as she gets. It’s good craic. (Lisa Buscani)
The Artistic Home, 3914 North Clark, (866)811-4111, through August 1.
Coming Home: How Fire Shut Up Will Liverman’s Bones “Fire Shut Up in My Bones” is a multi-genre work and the first opera in the Metropolitan Opera in New York’s history written by an African-American composer, jazz trumpeter and composer Terence Blanchard. It's scheduled to close out Lyric’s 2021-22 season.
RECOMMENDED
