• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Review: The Water Engine: An American Fable/Theatre Seven of Chicago

by Lisa Buscani | November 2, 2010

by Lisa Buscani
November 2, 2010November 2, 2010Filed under:
  • Recommended Shows
  • Theater Reviews

Lindsay Pearlman

RECOMMENDED

Half of the challenge of creating is protecting your creation from those who would steal it. Basing his tale on the story of Texans Henry “Dad” and Charles H. Garrett, who received a patent for an electrolytic carburetor in 1935, David Mamet dissects corruption while championing honor in this 1977 effort.

Charles Lang (Cody Proctor) builds an engine which uses water for fuel, then must protect it from thieves. Staged as a radio play, the audience is reminded of the meta conceit by artful folio work. It’s cool to watch and even cooler to listen to.

Brian Golden’s direction makes the imagined palpable; his actors are skilled vocally and physically. Proctor captures the put-upon genius searching for scientific certainty in the business world; George Zerante and Travis Williams are suitably oily as predatory lawyers. But the evening’s standout is Lindsey Pearlman; her timing and flexibility are a delight. (Lisa Buscani)

Theatre Seven of Chicago at the Greenhouse Theater, 2257 North Lincoln, (773)404-7336. Through December 5.

Tagged:
  • Brian Golden
  • Charles H. Garrett
  • Cody Proctor
  • David Mamet
  • George Zerante
  • Henry "Dad" Garrett
  • Lindsey Pearlman
  • Theatre Seven
  • Travis Williams

Post navigation

Previous Post Review: Me Too, I Am Catherine Deneuve/Trap Door Theatre
Next Post Homecomings: Luna Negra founder brings Ballet Hispanico to Chicago
A man in a suit stands in the foreground looking out while another man sits behind him.

The Price of Wisdom: A Review of “Henry Johnson” at Victory Gardens Theater

Tristan Bruns April 18, 2025

Leeway for Risk-Taking: Finding Family in the Chicago Theater with Mark Larson

Hugh Iglarsh August 7, 2019

By Wrench or By Gear: A Review of Machinal at Greenhouse Theater Center

Persephone Jones August 28, 2017

Review: Glory Days/Refuge Theatre Project

Christopher Kidder-Mostrom September 1, 2015

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026