As a high-school freshman, studying the works of Homer—dense, dry and infinitely long as they seemed to be—was the last thing I wanted to be doing. Little did I know at the time, or maybe I just forgot, that Homer didn’t so much write down his epic poems “The Iliad” and “The Odyssey” as he did sing them, improvising and tailoring his performances for whatever crowd he was working. Denis O’Hare’s and Lisa Peterson’s one-person show brings the story of the Trojan War closer to this original, much more entertaining mode. The Poet (Timothy Edward Kane), millennia later, is hiding out in an underground sewer, reluctant to sing the songs again, calling on the Muses for aid. Setting the story mainly as a conflict between the great warriors Hector (of Troy) and Achilles (of Greece) he compares the Trojan soldiers to our boys recruited from every small town in America, and uses road rage to illustrate Hector’s bloodlust in battle. The show is anchored by Kane’s virtuosic solo performance, who tells the story as though he had been at Troy himself. (Neal Ryan Shaw)
The Court Theatre, 5535 South Ellis, (773)753-4472. Through December 11.
Let’s See Together: A Review of "Choir Boy" at Steppenwolf Theatre Among other compelling reasons to see "Choir Boy" is the power and musicianship on songs sung by the young men who play the students in the choir at the Black, Christian Charles R. Drew School for Boys.
Buggin’ Out: A Review of Bug at Steppenwolf Theatre The audience is the fly on the wall of a dingy Oklahoma hotel room where Agnes White is taking refuge from her recently released, abusive ex-husband Jerry.
