RECOMMENDED
Just in time for Halloween, Strange Tree Group’s “Funeral Wedding: The Alvin Play” returns for an engagement at the Signal Ensemble Theatre. This gothic and drawn-out ghost story focuses on Alvin Fisher (Daniel Behrendt), a somewhat charming but odd recluse who chooses to live in (or maybe haunt) his family’s attic. Joining Alvin at times are his sister Anne (Delia Baseman) and parents (Jennifer Marschand and Ron Thomas). It goes without saying that family secrets go a long way in explaining why Alvin is the way he is. Also complicating matters is Anne’s new fiancé and family physician Robert Elliott (Scott Cupper) whom Alvin loathes to no end. There is much more to this tale, but to give away any more detail risks ruining the suspense.
Like a M. Night Shyamalan movie, a play like this is only as good as its ending and here playwright Emily Schwartz has crafted a great one. But the play is not without faults: the first act takes entirely too long to set up the premise and the second act also drags a bit. At the same time, the play often pleasantly surprises with Jess McLeod’s direction and the cast here, although always deathly serious, appears to have fun with the material. And although I did not completely understand the mute banjo player‘s role in the play, I enjoyed what his instrument had to say. (Noel Schecter)
At Signal Ensemble Theatre, 1802 West Berenice, (773)598-8240. Through November 17. (Half-Priced Tickets)
Related Stories
Simpler Times: A Review of Mary’s Wedding at First Folio Theatre First Folio Theatre's latest channels its Canadian setting and spirit by being faultlessly amenable.- Stranded in a Strange Land: A Review of Come From Away at Broadway In Chicago This Tony Award winner mines its parochial material for outstanding humor, showing these small-town residents as far more open-minded than their mostly big-city counterparts.
- Love Knows No Law: A Review of Wedding Band, A Love/Hate Story in Black and White at The Artistic Home A timely revival of Alice Childress' 1966 play about interracial love in the early twenty-first century American south.
- Stranger in a Strange Land: A Review of Run the Beast Down at Strawdog Theatre Titas Halder's one-man play questions who the real villain is.
- Unfading Spirit, Enduring Impact: A Preview of Alvin Ailey American Dance Theater’s Sixtieth Anniversary at the Auditorium Theatre The iconic company celebrates its sixtieth anniversary with three unique programs featuring classic works and world premieres.
- Of the Shameful and Strange: A Preview of Lie Through My Skin by Same Planet Performance Project Sensuality and disgust drip through the opening of "Lie Through My Skin," setting an ambivalent tone that becomes increasingly surreal as the piece unfolds.
