• Skip to primary navigation
  • Skip to content
  • Skip to primary sidebar

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity
    • Newcity Network
    • Best of Chicago
  • Art
  • Brazil
  • Design
  • Film
  • Lit
  • Music
  • Resto
  • Stage
    • About Newcity Stage
    • Advertise
    • Currently Running Shows
    • Privacy Policy
  • Subscribe
    • Magazine
    • Newsletters

Review: Blithe Spirit/Piccolo Theatre

March 24, 2013 at 4:25 pm by John J. Accrocco

by John J. Accrocco
March 24, 2013March 25, 2013Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews
Photo: Robert Erving Potter III

Photo: Robert Erving Potter III

RECOMMENDED

Unfortunately, not all romantic ghost stories include erotic pottery and unchained melodies. In Noël Coward’s supernatural play “Blithe Spirit,” novelist Charles Condomine accidentally conjures the vengeful spirit of his first wife, Elvira (Kate McDermott). Charles (Kevin Bishop) is happily remarried to refined Ruth (Lauren Goode) until a research-based séance with renowned medium Madame Arcati (Joan McGrath) materializes the unexpected. Skeptics are turned into believers through witty banter and clever special effects.

When looking back at the canon of British playwright Noël Coward’s work, it’s easy to see the influence he would have on modern playwriting, particularly romantic comedy. In a genre so riddled with clichés and stereotypes, Coward’s work rises above for language alone and Piccolo Theatre’s production navigates it well. Fluidly moving through the intimate space in the Main Street Metra station, the cast seems comfortable with the often overly verbose script.

Something to consider when performing a play that relies so much on the element of surprise and suspension of disbelief is finding the balance between sincerity and over-acting. Under the direction of Christopher Marino, the grown-up cast knows when to go big and when to remain subtle. Bishop’s performance is occasionally flamboyant, but the charming cast of women enjoy playing off that. Goode’s graceful elegance keeps the antics composed to an appropriate drawing-room level of decorum. On the other hand, McGrath provides the perfect amount of general quirkiness to break up the monotony of upper class civility.

There’s a sexy quality to this piece that’s inherent to the script but certainly played up in this specific production; the lovely McDermott saunters in and out of scenes in a ravishing grey dress, usually accented in a reddish light. Her playful punchiness is a delight to watch. Sex is also frankly addressed in the dialogue, a somewhat necessary topic in a play about remarriage.

After enjoying a star-studded revival on Broadway a few seasons back, “Blithe Spirit” proves that Noël Coward’s work is still as fresh and enjoyable as it was at the time of its debut. Though the wordiness of the work can feel a little overwhelming, “Blithe Spirit” is a light-hearted farce with plenty of laughs. Done especially well by Piccolo Theatre, the special effects are modest but impressive, however, the real gem of this production is the articulate cast members, who approach this piece in a refreshingly literary way. (John J. Accrocco)

At Piccolo Theatre, 600 Main Street, Evanston, (847)424-0089. Through May 11. 

Share this:

  • Facebook
  • Twitter
  • Email
  • More
  • Print
  • Tumblr
  • LinkedIn
  • Pinterest
  • Reddit
  • Pocket

Related

Tagged:
  • Christopher Marino
  • Joan McGrath
  • Kate McDermott
  • Kevin Bishop
  • Lauren Goode
  • Noël Coward
  • Piccolo Theatre

Post navigation

Previous Post Preview: Compagnie Marie Chouinard/MCA Stage
Next Post Review: Priscilla Queen of the Desert/Broadway In Chicago

Primary Sidebar

Popular Stories

  • Something Swiftly This Way Comes: A Review of Short Shakespeare! Macbeth at Chicago Shakespeare Theater
    Something Swiftly This Way Comes: A Review of Short Shakespeare! Macbeth at Chicago Shakespeare Theater
  • Diamond in the Rough: A Review of La Traviata at Lyric Opera of Chicago
    Diamond in the Rough: A Review of La Traviata at Lyric Opera of Chicago
  • You Can’t Beat the Clock: A Preview of Chicago Danztheatre Ensemble’s “Getting Old Sucks” at Ebenezer Lutheran Church
    You Can’t Beat the Clock: A Preview of Chicago Danztheatre Ensemble’s “Getting Old Sucks” at Ebenezer Lutheran Church
  • Trial Period: A Review of Fulfillment Center at A Red Orchid Theatre
    Trial Period: A Review of Fulfillment Center at A Red Orchid Theatre
  • Children of War: A Review of Elektra at Lyric Opera of Chicago
    Children of War: A Review of Elektra at Lyric Opera of Chicago

Newsletters


Copyright Newcity Communications, Inc. © 2019

loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.