• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Review: Titus Andronicus/Babes With Blades Theatre Company

by Alex Huntsberger | March 5, 2015

by Alex Huntsberger
March 5, 2015November 24, 2023Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews
(l to r) Amy E. Harmon, Kimberly Logan/Photo: Steven Townsend

Amy E. Harmon, Kimberly Logan/Photo: Steven Townsend

RECOMMENDED

Sitting in the audience waiting for Babes with Blades’ all-female production of “Titus Andronicus” to begin, I did what any audience member does and took in the set, designed here by Carolyn Voss. I thought to myself “Hmm, grey stone columns, red Nazi-ish banners, long sheets of plastic painted to look like marble… they’re going with a ‘fascism’ interpretation. Okeedoke.”

However two-and-a-half hours later, as the final quarts of blood were being spilt, I took a look again and saw something else. I saw a serial killer’s basement. (The long sheets of plastic give off a very “Christian Bale explaining to Jared Leto the utter sublimity of Huey Lewis and the News” vibe.) And you know what? For a play that has the murderous glee of a “Call of Duty” game with the body count to match, that’s about right.

Directed by Michigan Shakespeare Festival artistic director Janice L. Blixt, this production is equal parts campy, sadistic, heartfelt and, most of all, fun. A few actresses play multiple roles, which in “Titus Andronicus” also means dying multiple deaths. By the middle of the second act, when their throats are slit and you see them staring forlornly out past the audience, you can almost detect a look of “Oh, not this again.” Libby Beyreis is the violence designer.

Amy E. Harmon stars as the titular Roman general. She brings a fine, bug-eyed severity to the role, making Titus’ descent from zealotry to madness merely a matter of degrees. Kimberly Logan meanwhile gives Harmon a worthy foil as the Goth Queen Tamora and Janice Kulka offers both sweetness and a sly intelligence as Titus’ beloved but (very) ill-fated daughter Lavinia.

But the standout performance belongs to Diana Coates as Aaron. Whenever she is onstage she holds your attention. Coates’ confidence and wit and restrained bemusement at the chaos all around her draw a portrait of Aaron that makes him seem, somewhat surprisingly, like the most well-adjusted character in the play. Granted, she’s evil as hell. But in a world as twisted as this one, she’s right in her element. (Alex Huntsberger)

Babes With Blades Theatre Company at City Lit Theater, 1020 West Bryn Mawr, (773)904-0391, babeswithblades.org. $14-$22, Through April 4.

Tagged:
  • Amy E. Harmon
  • Babes with Blades
  • Babes With Blades Theatre Company
  • Carolyn Voss
  • City Lit Theater
  • Diana Coates
  • Janice Kulka
  • Janice L. Blixt
  • Kimberly Logan
  • Libby Beyreis
  • Michigan Shakespeare Festival
  • William Shakespeare

Post navigation

Previous Post Twentieth-Century Sage: The Goodman Theatre Celebrates the Work of August Wilson
Next Post Preview: Hubbard Street Dance/Harris Theater
A man dressed as a cowboy kneels on stage holding a revolver, wearing a brown coat and black hat, with a wooden saloon backdrop and dramatic lighting.

City Lit’s “Shane” Brings the Western Novel to the Stage Mark Pracht's adaptation of the 1949 book rewrites masculinity in a Western setting, with a phenomenal performance by lead Michael B. Woods.

Mary Wisniewski September 3, 2026
Three actors perform on stage; one reclines on a bed in a blue coat, holding a map and gazing at another in green, while a third sits nearby in pink, watching the interaction. The setting suggests a theatrical, possibly comedic, scene.

“yo ho.” Is a Queer Love Story Set on the High Seas The world premiere from Babes With Blades Theatre Company is a comic twist on the fabled romance between the noted pirates Mary Read and Anne Bonny.

Rob Silverman Ascher August 6, 2026
A group of actors in period costumes stand on stage, some raising bottles in a toast. The background features dramatic lighting, candles, and a painted backdrop, creating a theatrical and historical atmosphere.

“Scaramouche” Is a Swashbuckling Good Time The musical version of the classic novel makes its world debut at City Lit Theater, a comedy-adventure-romance mixed with dueling and song.

Mary Wisniewski May 13, 2026
Two older men in vintage suits perform on stage decorated with holiday garlands and a framed painting. One gestures forward, holding an object, while the other stands near a piano with clasped hands, smiling.

City Lit Brings Sherlock Holmes to a Victorian Christmas Party “Sherlock Holmes and the Christmas Clowns” is a happy combination of witty dialogue, lovely Victorian costumes and four-part harmony Christmas caroling, with a touch of Gilbert & Sullivan.

Mary Wisniewski December 18, 2025

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026