Lona Livingston (front center) with (back, left to right) David Lawrence Hamilton, Ann James, Paloma Nozicka, Maritza Cervantes, Anu Bhatt, Nate Whelden, David Guy, David Prete and Eleni Pappageorge/Photo: Jonathan L. Green
RECOMMENDED
There is value in works of art that confuse, especially in the theater. So many plays from all across history can be boiled down to little more than allegory, parable or argument. (I’m looking at you, Bertolt.) “So-And-So The Brave was very brave and this tale will demonstrate his bravery.” You can feel lectured to, rather than led down the path to enlightenment. But a play that confuses you, that claps its hands over your eyes and spins you round and round and pushes you off into the wilderness unsure of your path or place, might just lead you somewhere that neither you, nor it, knew ever existed.
This is all to say that I’m not exactly sure what the hell Anne Carson’s “Antigonick” is about. The only thing I can say for sure is that I’m not sure what happened twice. I’m not even certain as to whether I should call it a poem or a play! But that’s okay. In fact, it’s more than okay. It’s luverly. In the beautifully rendered, tenderly acted production directed by Jonathan Green for Sideshow Theatre, you can let the strangeness and the uncertainty wash over you, even if it means letting it pull you out with the tide.
“Antigonick” is probably best described as a “free translation” of Sophocles’ “Antigone” by Carson, a renowned poet and translator. The plot is much the same. Antigone (Anu Bhatt), daughter of Oedipus, defies the decree of her uncle Kreon (a hilariously stentorian Ann James) and gives her dead brother a proper burial. Carson brings a playfulness and modernity to the proceedings that somehow makes it all the sadder when it still ends darkly. And if you miss a moment—for instance, the similar obsession of lawyers and choruses for precedent—don’t worry. You’ll get the chance to hear it again.
Sideshow’s production is, as usual, presented on a gorgeously detailed set, this one designed by Yu Shibagaki. It mashes up drawing rooms, public baths, offices, morgues and dirty ground. It is as wonderfully, deliberately confused as its audience, and everyone’s all the better for it. (Alex Huntsberger)
Sideshow Theatre at Victory Gardens Richard Christiansen Theatre, 2433 North Lincoln, (773)871-3000, sideshowtheatre.org, $20-$30. Through April 5.
Related Stories
Let "X" Equal... : A Review of X at Sideshow Theatre Company In space, no one knows what time it is.- State of Mind: A Review of You for Me for You at Sideshow Theatre Company Mia Chung's new play at Sideshow Theatre Company is an inventive and imaginative contrast of totalitarian nightmare and democratic indulgence.
- Tilly and the Whale: A Review of Tilikum at Sideshow Theatre Company Drawn in clear and cutting language, Kristiana Rae Colón's latest receives its must-see world premiere at Sideshow Theatre Company.
- Life During Peacetime: A Review of truth and reconciliation at Sideshow Theatre Company At sixty minutes and featuring twenty-two actors, Debbie Tucker Green's "truth and reconciliation" is what you might call a big small work. Its US premiere indicates that Green's drama, which more often alludes to truth rather than speak it out loud and does not offer much in the way of hope for reconciliation, is in more or less its final form and…
- Great Expectation: A Review of The Ridiculous Darkness at Sideshow Theatre Company This aesthetically adventurous adaptation follows many tributaries before arriving at its destination.
- The Stuff We’re Made Of: A Review of HeLa at Sideshow Theatre & Greenhouse Productions A co-production with Sideshow Theatre and Greenhouse Productions, J. Nicole Brooks' world premiere goes from cells to stars and back again.
