Nina O’Keefe and Kathleen Akerley/Photo: Jonathan L. Green
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Theater as a whole is starting to come around on sci-fi and fantasy. And while that might put it about twenty years behind the cultural zeitgeist (can’t wait for that three-part Avengers musical in the 2035 Broadway season), it’s also about dang time. There are new stories to tell, new worlds to conquer. And, besides, there have been so many plays set in the American living room that I’m afraid the furniture’s starting to prolapse.
Earlier this season there was the epic Kentucky-fried-Tolkien grandeur of The House Theatre’s “Hammer Trinity” and now Sideshow Theatre Company has brought us Walt McGough’s “Chalk” directed by Megan A. Smith. “Chalk” is the opposite of “The Hammer Trinity” in terms of scale—instead of dragon on zeppelin melees we are given two women in a dilapidated barn—but is its partner in spirit. The fantastical is on hand to illuminate the mundane. A play about an alien invasion is also a play about everyday alienation.
The play lifts elements from Brecht’s “Caucasian Chalk Circle,” though it could hardly be called a “reboot.” There is the titular circle made of chalk. There is a country at war. And there is a mother (Kathleen Akerley) and her child (Nina O’Keefe) who may or may not really be her child. But “Chalk” is very much its own play: a thrilling two-woman tete-a-tete. American plays might be full of mother-daughter showdowns, but very few feature a daughter who wants to literally eat her mother alive.
Akerley grounds the story with a tough, no-nonsense realism. When it’s revealed that her character’s a school teacher, there’s a knowing laugh of acknowledgement. O’Keefe’s performance, on the other hand, is a full-bodied spectacle. She convulses and bleats and scurries and lunges with frightening athleticism. Were the play much longer than its sixty-five-minute run-time it would need an intermission solely so that she could rest and hydrate. She brings real danger to a story that requires it but also subtle psychological shading. The character is at war with herself, and O’Keefe makes sure it’s a war being fought on every front. (Alex Huntsberger)
Sideshow Theatre at Victory Gardens Richard Christiansen Theater, 2433 North Lincoln, (773)871-3000, victorygardens.org. $20-$30. Through June 28.
I Believe You, Bruce: A Review of Downstate at Steppenwolf Theatre Company In this world premiere at Steppenwolf Theatre Company, Pulitzer Prize-winning playwright Bruce Norris attempts to redress the power imbalance between the disenfranchised and those who wield influence over their livelihood, though not in the direction you might expect.
