• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Review: How the World Began/Rivendell Theatre Ensemble

by Kevin Greene | September 10, 2015

by Kevin Greene
September 10, 2015June 16, 2016Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews

Rebecca Spence, Keith Kupferer, Curtis Edward Jackson/Photo: Michael Brosilow

RECOMMENDED

More than ever before, we are capable of surrounding ourselves with people who validate our belief systems. Sometimes it seems that the only way we will listen to those who don’t share our convictions is by isolating ourselves among them. And even then, would such a move bring about mutual understanding or deeper entrenchment? With this idea firmly in mind, Catherine Trieschmann’s “How the World Began,” a small play with hefty themes, pushes the seemingly irreconcilable differences of religion and reason to their breaking point.

Director Keira Fromm expertly guides this tensely contentious and profoundly uncomfortable play toward its wrenching finale with an all-star cast in tow. Fresh off his exhilarating turn in Steep’s “Brilliant Adventures,” Curtis Edward Jackson is proving to be one of Chicago’s most promising young actors. As Micah, Jackson is a quiet but imposing force capable of communicating great anguish with the clench of a fist or a furrow of the brow. Though his entire performance is worth savoring, when he finally allows his character’s inner torment to unfurl the results are truly devastating.

Providing contrast to Jackson’s sullen Micah, Keith Kupferer is pitch perfect as the neighborly Gene. As an actor, Kupferer transcends the textual bounds of character, imparting a full sense of life and history with the smallest, most humane of gestures. And as the tortured teacher in the crosshairs of this play’s “little misunderstanding,” Rebecca Spence is a talent not to be contested. On stage she is ferocious and wiry, looking as though she might bite the head off a rattlesnake without a moment’s hesitation.

Trieschmann’s dramatic focus shifts from one character to another in triangulated patterns such that any moment of unity is illusory. Each individual character is constantly dealing with two people they cannot possibly fathom. It’s a gutsy technique, one that pushes audiences to the edge of discomfort. By the time the play concluded, I felt as though I hadn’t taken a full breath in nearly ninety minutes. “How the World Began” is the kind of play that you will want to run away from but one you’ll be so glad you didn’t. (Kevin Greene)

Rivendell Theatre Ensemble, 5779 North Ridge, (773)334-7728, rivendelltheatre.org, $15-$32. Through October 10.

Tagged:
  • Catherine Trieschmann
  • Curtis Edward Jackson
  • Keira Fromm
  • Keith Kupferer
  • Rebecca Spence
  • Rivendell Theatre Ensemble

Post navigation

Previous Post Festival Coverage: Chicago Fringe Festival (Part 2)
Next Post Review: The Producers/NightBlue Performing Arts Company

Fly Away on “Bonnie’s Last Flight” Rivendell Theatre Ensemble celebrates the culmination of their thirtieth anniversary season with this world premiere by playwright Eliza Bent.

Tristan Bruns September 28, 2026
An older man in a suit stands triumphantly with a sword raised, foot on the back of a young man lying face down on a living room floor, with elegant furniture and bookshelves in the background.

“Fault” Is in the Scars: Battling Couple Comedy Crackles and Cracks Jason Alexander directs this world premiere at Chicago Shakespeare Theater, a “marital combat” play with tightly wound action that takes repeated shots at the intimate lives of its coupled characters.

Ted C. Fishman April 30, 2026

Court Theatre Stages August Strindberg’s Famous Study of Class and Gender A noisy start and a murky finish are among the choices that obscure "Miss Julie"'s timely relevance for a divided America.

Mary Wisniewski February 20, 2026

A Doggone Good Time: A Review of “Gorgeous” at Raven Theatre

Tristan Bruns May 19, 2025

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026