With a schedule that includes curated fundraising events in New York, San Francisco and, for two consecutive years, Chicago, the Flow Show presented a fun, kid-friendly burlesque show. That’s right, one that makes kids, parents and everyone else feel a sense of acceptance about what our bodies do when we let them work in an authentic way, with what we can express emotionally, and how that can be reflected in near-athletic expressions of our personal daily struggles to survive. All of the performers were adept at object manipulation, a form of circus dance familiar to attendees of the monthly Full Moon and New Moon jams that take place seasonally across the city and, this year, began to draw record crowds at festivals nationwide. Over the past few years flow performances have found more platforms through city-sponsored circus programs in public parks, adding to the form’s visibility and increasing popularity. It is not near as often deserved. Still, the sheer enjoyment and encouragement of expression was pleasant.
Most cohesive from among the lineup was local dancer Emily Perkins, who performs under the stage name Perkulator, and who teaches object manipulation alongside circus techniques, with a cognizance of her composition of space through the dance program pyrotechniq.org. Perkins demonstrated all the thrilling athleticism of some of the community’s more stalwart figures, including the always-thrilling Ebonie Hoops, who is consistently an audience favorite at the lakefront jams, usually spinning flaming hoops on the tips of her toes while in a headstand, and always mischievously smiling.
Perkins adds an extra layer, configuring and reconfiguring combinations of silver hoops into a space-age stage performance. As she moves, it’s representative of the movement of energy at the subatomic level, radiating a pure joy at the love of movement. (Michael Workman)