• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Review: Taste/Red Theater Chicago

by Kevin Greene | May 6, 2016

by Kevin Greene
May 6, 2016June 15, 2016Filed under:
  • Midwest Premiere
  • Theater
  • Theater Reviews
Gage Wallace and Kevin V Smith/Photo: M. Freer Photos

Gage Wallace and Kevin V. Smith/Photo: M. Freer Photos

While watching “Taste” you won’t know whether to laugh or cringe. In other dramatic circumstances this might be considered a virtue. However in Red Theater’s production, Benjamin Brand’s stilted and speechy play consistently falls somewhere between awkward drama or poorly timed comedy.

The second half of Brand’s play does its best to rescue the first. The latter is little more than blatant character exposition, a vehicle for the playwright to exalt his world views, some of which are simply inane. “It is better to have a few close friends than many acquaintances,” Terry (Gage Wallace) tells Vic (Kevin V. Smith) with absolute seriousness. The second half establishes an actual dynamic between these two men, which nevertheless feels thin and underdeveloped at the conclusion of the play’s ninety minutes.

“Taste” disappoints on a variety of levels, the most outstanding of which is the poor direction of Gage Wallace and Kevin Smith. Wallace is among the most outstanding young actors in our city. His dramatic choices here are strong. Perhaps too strong.  At times it feels like Wallace is more committed to the play than the playwright himself.

Throughout most of the play, Smith writhes in a mix of pleasure and disgust though he never gets much opportunity to truly express himself. His return to Terry at the play’s conclusion is inexplicable. If the meat of their relationship (pardon the pun) occurs offstage and well before the action of the play begins, we need a better sense of what draws these two together beyond their shared obsession with a deeply taboo fetish.

“It’s not just realism. It’s real.” Wallace intones at the play’s midpoint. This might well be considered the production’s mission statement, which it adheres to by forcing the audience into close quarters. Yet the play’s more clinical aspects (the longing for touch, the strict obligations to rules of grammar) may have been better served by distancing the audience from the action and giving them the option to look away rather than forcing them to confront a series of otherwise gratuitously gross acts. (Kevin Greene)

Red Theater at Redtwist Theatre, 1044 West Bryn Mawr, redtheater.org. Tickets are free. Through May 22.

Tagged:
  • Gage Wallace
  • Kevin V. Smith
  • Red Theater Chicago

Post navigation

Previous Post Wearable Landscape: An Interview with The Seldoms’ Visual Artist Bob Faust
Next Post Review: Even Longer and Farther Away/The New Colony
A black and white photo of a person lying motionless on a table, partially covered by a sheet, in a dark and empty room. A spotlight illuminates the body, emphasizing a somber and dramatic atmosphere.

“The Shape of the Bones” Has Promise but Needs To Be Fleshed Out Playwright Spencer Huffman’s religious drama—and New Theatre Project’s first production in a conventional theater space—boasts some excellent performances in a story that doesn’t quite satisfy.

Hugh Iglarsh March 6, 2026

The Industrial Lower Depths: A Review of “Sweat” at Paramount Theatre

Nathaniel Fishburn March 23, 2022

Stranger in a Strange Land: A Review of Run the Beast Down at Strawdog Theatre

Amanda Finn October 5, 2020

Sign of the Times: A Review of You Are Happy at Red Theater Chicago

Irene Hsiao October 28, 2019

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026