• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Get To Know Your Neighbors: A Review of 3C at A Red Orchid Theatre

by Kevin Greene | April 25, 2017

by Kevin Greene
April 25, 2017May 3, 2017Filed under:
  • Chicago Premiere
  • Recommended Shows
  • Theater
  • Theater Reviews

Christina Gorman, Nick Mikula and Sigrid Sutter/Photo: Michael Brosilow

RECOMMENDED

David Adjmi’s “3C” isn’t really about anything in particular and that seems to be the point. Nor does he seem to be particularly motivated to make any kind of a point with his play, which comes off as refreshing thanks to the talents of the cast and Shade Murray’s unique directorial vision of this Chicago premiere. Besides gesturing loudly toward casual homophobia and misogyny, the play steers its cheeky, absurdist brand of feminism toward that reprehensible American past time known as “jiggle vision” and gives it a casual half turn. Essentially, “3C” is what “Three’s Company” would have been if Harold Pinter was its showrunner: a delirious sequence of nonsequitors, physical and verbal gags punctuated by violence and existential dread.

Revolving around the lives of roommates Linda (Christina Gorman), Connie (Sigrid Sutter) and new addition Brad (Nick Mikula) as well as an assortment of recognizable visitors (Jennifer Engstrom, Lawrence Grimm and Steve Haggard), “3C” lives on its character work. Sutter is the perennially monotoned Valley Girl who offers casual philosophical asides. Gorman warmly embodies the uptight Linda and gives a masterclass on a litany of seventies dance moves. Laden with the least amusing character, Nick Mikula doubles down on Brad’s repressed sexual identity and offers dramatic counterpoint to the ongoing antics. Elsewhere, Engstrom steals the show, Grimm is positively terrifying and Steve Haggard does not get naked (though someone else does).

There is a very real possibility that the humor of “3C” won’t be to everyone’s taste. Admittedly there is no through line, narratively or even thematically, and the play ends as abruptly as it begins. But in a time where so much art strains for timeliness or contemporary relevance only to fall awkwardly short, A Red Orchid delivers a high dose for what ails ya: laughs. (Kevin Greene)

A Red Orchid Theatre, 1531 North Wells, (312)943-8722, aredorchidtheatre.org, $30-$35. Through June 4.

Tagged:
  • David Adjmi

Post navigation

Previous Post Serving a Higher Function: A Review of Checkmate at Free Street Theater
Next Post Hive Mind: A Review of Queen at Victory Gardens Theater

The Triumphs of Music and Tribulations of Fame in “Stereophonic” Broadway In Chicago presents a show that blurs the line between musical and play, featuring songs by Will Butler, a former member of Arcade Fire.

Tristan Bruns February 2, 2026

Sponsored: Steppenwolf Video of the Week (Marie Antoinette Audience Response)

Brian Hieggelke February 26, 2015

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026