• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Love Knows No Law: A Review of Wedding Band, A Love/Hate Story in Black and White at The Artistic Home

by Loy Webb | October 30, 2017

by Loy Webb
October 30, 2017November 10, 2017Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews

Raina Lynn, Scott Westerman/Photo: Joe Mazza, BraveLux Photography

RECOMMENDED

Though her name is not well known, Alice Childress has a noteworthy resume. She was the first African-American woman to have a professional production in New York with her play “Gold Through The Trees” and the first African-American woman to win an Obie Award with her play “Trouble in Mind,” which was also supposed to be the first play written by an African-American woman to appear on Broadway. However Childress, being of the same uncompromising integrity as the women she wrote, refused to change her play’s ending. As a result, that accolade was given to Lorraine Hansberry with “A Raisin In The Sun.”

Childress’ fate is like many of those who forge paths on uncharted territory. They are the first, yet virtually forgotten by history. However, regardless of the history that has forgotten her she is a theatrical giant. The Artistic Home’s production of her 1966 play “Wedding Band: A Love/Hate Story in Black and White” is the perfect homage to her legacy.

The play follows Julia Augustine (Raina Lynn), an African-American woman who has just moved into a new building. Things turn on their head for the people in the building when Julia’s lover, a white German baker named Herman (Scott Westerman), falls ill.

What is most surprising about this production, helmed by Cecili Keenan, which is also a testament to the timelessness of Childress’ writing, is that it does not feel dated. Ms. Keenan has found a way to make a play about the illegalities of interracial love in 1918 South Carolina fresh, moving, and full of comedic energy that is an immense joy to watch.

The entire cast, especially the neighborhood characters of Mattie (Myesha-Tiara), Lula Green (Lisa McConnell), Nelson Green (Kevin Patterson) and Fanny Johnson (Susan Anderson), have a rhythm and chemistry between them that flows seamlessly. The child actresses, Teeta (Maya Hooks) and Princess (Madison Murphy), will steal your heart with their adorableness.  And the mere entrance of Donna McGough, as Herman’s mother, is a powerful shift in energy. The Artistic Home is to be commended for keeping Childress’ legacy alive with this enjoyable night out. (Loy Webb).

The Artistic Home, 1376 West Grand, (866)811-4111, theartistichome.org, $28-$32. Through December 17.

Tagged:
  • Alice Childress
  • Cecili Keenan
  • Donna McGough
  • Kevin Patterson
  • Lisa McConnell
  • Lorraine Hansberry
  • Madison Murphy
  • Maya Hooks
  • Myesha-Tiara
  • Raina Lynn
  • Susan Anderson
  • The Artistic Home

Post navigation

Previous Post No Good Old Days: A Review of Hard Times at Lookingglass Theatre Company
Next Post Lost But Not Forgotten: A Review of In Sarah’s Shadow, The Eleonora Duse Story at Pop Magic Productions
Two actors in period costumes stand facing each other on a dimly lit stage. The man gestures with open hands, while the woman, wearing a floral robe over a dress, listens intently. A dark wooden cabinet is in the background.

“The Sugar Wife” Questions the Morality of Capitalism The Artistic Home stages the U.S. premiere of Elizabeth Kuti’s play set in 1850 Dublin.

Amanda Finn April 9, 2026
A man peers at a woman looking back at him from behind a couch.

No Victim, She: A Review of The Artistic Home’s “Hedda Gabler” at the Den Theatre

Hugh Iglarsh February 25, 2025
Middle class Black family in living room.

Black to Black: A Review of “A Raisin in the Sun” at Court Theatre

Dennis Polkow February 17, 2025

A Salute To Power: A Review of “Panther Women: An Army for the Liberation”

Mary Wisniewski May 1, 2023

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026