Jackson Evans and Dana Tretta/Photo: Brett A. Beiner
Mercury Theater’s “Bunny Bunny: Gilda Radner, A Sort of Love Story” is a squishy sentimental play about the iconic “Saturday Night Live” star from the perspective of her best friend Alan Zweibel, whose constant whining about the fact that they never got together romantically does very little to recommend him to a progressive audience.
The actors do a fine job and the premise has potential. I wanted to like this play. But as minute after minute of painstaking imitation played out on stage I couldn’t help but feel that Gilda Radner deserves a better tribute than two-and-a-half hours worth of a man who felt friend-zoned and never really understood bulimia.
Perhaps the experience of watching this play is different for folks who grew up with Radner’s comedy. The audience around me was enthralled and weeping by the final moments, a reaction that I found flummoxing considering how distanced the whole thing felt. The enormity of Mercury’s proscenium swallows the three performers, the set feels amateurish (I winced as one flying set piece nudged a source-four lighting instrument on the night I attended) and the real drama of Radner’s story, her fight with cancer, is consigned to the last two scenes. All in all, it didn’t live up to the standard for Chicago theater that frequent arts patrons in this city have come to expect.
Where is the play about Radner that doesn’t frame her in the white male gaze and the white male narrative? Perhaps we could invest in that instead. (Emma Couling)
Mercury Theater Chicago, 3745 North Southport, (773)325-1700, mercurytheaterchicago.com, $30-$55. Through April 1.
Related Stories
Love Knows No Law: A Review of Wedding Band, A Love/Hate Story in Black and White at The Artistic Home A timely revival of Alice Childress' 1966 play about interracial love in the early twenty-first century American south.- Not Dead Yet: A Review of Spamalot at Mercury Theater Chicago An endearing and indebted parody of iconic British parodists returns to Chicago.
- This Spoon Over Runneth: A Review of Mary Poppins at Mercury Theater Chicago The Mercury is a small theater with a big heart. So when it decides to stage Disney and Cameron Mackintosh’s “Mary Poppins: The Broadway Musical,” believe that it will have moving set pieces, flying nannies and more tap-dancing chimney sweeps and park perambulators in pink than you could ever imagine swarming over a stage better designed for monologues. Because of…
- Pulp Friction: A Review of Little Shop of Horrors at Mercury Theater Chicago With a third local production in as many years, this Alan Menken and Howard Ashman musical is showing its age.
- More Labor Than Love: A Review of Love's Labor's Lost at Chicago Shakespeare Theater Guest director Marti Maraden’s production of Shakespeare’s melancholic quasi-comedy is as pretty as a picture. Kevin Depinet’s rococo set, complete with retractable swing and leafy mural-like backdrop, brings us inside a Fragonard painting of flirting nymphs and eager swains. The illusion is rendered even more exquisite by Greg Hofmann’s tender, mood-attuned lighting. Unfortunately, the picture never quite springs to life.…
- New Side, Same Story: A Review of West Side Story at Lyric Opera of Chicago Tactfully drawing out the ethnic tension and socio-political context in which it was born, Lyric's production evinces the perpetually incisive quality of this iconic musical.
