• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

A Real Who’s Whodunit: A Review of Whose Body? at Lifeline Theatre

by Aaron Hunt | September 17, 2019

by Aaron Hunt
September 17, 2019September 27, 2019Filed under:
  • Recommended Shows
  • Theater
  • Theater Reviews

John Drea, William Anthony Sebastian Rose II, Tony Bozzuto/Photo: Suzanne Plunkett

RECOMMENDED

Famed mystery writer Dorothy L. Sayers’ first book, “Whose Body?,” introduced both her and her part-Fred Astaire, part-Bertie Wooster gentleman detective Lord Peter Wimsey to hordes of readers who couldn’t wait to turn the page to find out whodunit. Lifeline Theatre is in the business of turning literary classics corporeal, and ensemble member Frances Limoncelli’s adaptation shows off her awarded flair. This remounting of Lifeline’s 2002 production is delicious in design and spirit.

A man, quite naked save for a pince-nez, is found in someone else’s bath. A prominent member of society is missing. The body in the bath isn’t society’s scion. Who is in the bath? Where is the Sir? The training hospital near the borrowed bath’s morgue’s tenants are all accounted for. Amateur detective Lord Peter to the rescue!

Director Jess Hutchinson’s ensemble of seven essay eighteen characters careening toward the denouement with a high level of success. John Drea, Joshua K. Harris, and Michaela Volt switch hats and accents in a flash of the eye, keeping the ever-quickening energy of the plot on trajectory. Tony Bozzuto’s Dr. Freke is as Professor Moriarty as you could wish. Scott Danielson’s man’s man Bunter channels Jeeves delightfully. Katie McLean Hainsworth’s Duchess is all fragile-appearing, steel-backboned British aristocracy. Hainsworth sets the standard. As always, her work is not to be missed.

William Anthony Sebastian Rose II carries the show on his shoulders. His Lord Wimsey will surely grow in confidence as he settles in. Limoncelli’s first act suffers from an extra ten minutes or so. Act two is a complete joy.

The star of the evening is Alan Donahue’s set. Economy itself, it changes a board here or there and transforms into different locales with aplomb, as easily as switching a body. (Aaron Hunt)

Lifeline Theatre, 6912 North Glenwood, (773)791-4477, lifelinetheatre.com, $45. Through October 27.

Tagged:
  • Alan Donahue
  • Dorothy L. Sayers
  • Frances Limoncelli
  • John Drea
  • Joshua K. Harris
  • Katie McLean Hainsworth
  • Lifeline Theatre
  • Michaela Volt
  • Scott Danielson
  • Tony Bozzuto
  • William Anthony Sebastian Rose II

Post navigation

Previous Post Extra, Extra: A Review of Newsies at Paramount Theatre
Next Post Life and Liberty: A Review of Be Here Now at Shattered Globe Theatre
A person with platinum blond hair, wearing a striped shirt, holds a paintbrush and a palette of colors, standing in front of a wall covered in graffiti art.

In “Andy Warhol Presents: The Cocaine Play,” Life Imitates Art (Imitating Life) Jackalope Theatre presents Terry Guest’s twisted tale of artistic ambition and vengeance set during the Pop Art era.

Noel Schecter June 5, 2026

“Come Back, Little Sheba” Merits a Return Engagement American Blues Theater’s intensely intimate revival shows that William Inge’s 1950 family drama still packs a wallop.

Hugh Iglarsh February 19, 2026

Ghostlight Ensemble Theatre Co.’s New Play Considers the Morality of Justice and Violence Topher Payne's work is about two young gay men who must decide how far they will go to combat their oppression.

Tristan Bruns November 13, 2025
Two women sit at a table in discussion.

“Rabbits in Their Pockets” Conjures Black Joy Through Kinship Kimberly Dixon-Mays’ contemporary play at Lifeline Theatre features a story interwoven with references from the Br’er Rabbit African American folktales.

Amanda Finn September 24, 2025

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026