• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Log In
Newcity Stage logo

The Charismatic Charles Dickens Comes to Life Blake Montgomery wins the audience over as Charles Dickens in this one-person play, where the celebrated author diverts from his 172nd annual reading of "A Christmas Carol" to throw a holiday party instead.

by Amanda Finn | December 11, 2025

by Amanda Finn
December 11, 2025December 10, 2025Filed under:
  • Featured
  • Recommended Shows
  • Theater
  • Theater Reviews
A man in a tuxedo with reindeer antlers on his head stands on stage, holding a closed book. The background is dark with a platform and a red object behind him, suggesting a theatrical performance.

Clownshow’s “Charles Dickens Begrudgingly Performs ‘A Christmas Carol’ Again,” with Blake Montgomery/Photo: Joe Mazza

RECOMMENDED

The show doesn’t start at curtain call—no. For Blake Montgomery as Charles Dickens, the show begins the moment you step into the theater at Theater Wit. In a suit bedazzled in patches of shimmering thread, perhaps kintsugi-style repairs, you can tell Dickens has worn this suit before. Done this schtick before. As Montgomery flits around the room delivering tiny candy canes, getting to know his audience, he is immediately the most charming person you’ve ever met.

Which leads one to think—wasn’t this show entitled “Charles Dickens Begrudgingly Performs ‘A Christmas Carol’ Again”? Your mind puts particular emphasis on the word “begrudgingly.” Indeed, it is. Yet nothing is begrudging about Montgomery’s demeanor, not a wit. Perhaps that’s because, for him, the show hasn’t quite begun.

Unbeknownst to the audience, Montgomery, as Dickens, has a plan. Rather than go through with his 172nd annual reading of “A Christmas Carol,” he’s going to throw his first annual holiday party instead. Already won over by his pre-show crowd work, Montgomery knows that his audience is in the palm of his hand. But perhaps they aren’t the only ones in the theater that need convincing. Further still, he may even need to go through with this yuletide recitation after all.

A man in a tuxedo sits on a red chair, gesturing expressively with both hands. He has a gray beard and mustache, and his shoes are prominently visible in the foreground. The background is dark.

Clownshow’s “Charles Dickens Begrudgingly Performs ‘A Christmas Carol’ Again,” with Blake Montgomery/Photo: Joe Mazza

Directed by Jonathan Berry and produced by Clownshow, the show performed and created by Montgomery is a side-splitting delight. While we know Dickens’ work to be quite serious at times, it can be hard to imagine the storied author as anything other than stoic. Yet, in life, he was apparently quite charismatic. So it comes as no surprise that he would perform his work for adoring audiences—particularly if he was anything like Montgomery portrays him.

Even the biggest holiday humbug will have a hard time resisting Montgomery’s charm. He roams around the audience and draws you in, often speaking directly at you if he’s nearby. It is impossible to take your eyes off him—unless he wanders too far out of your line of vision. Even if Dickens is only performing “A Christmas Carol” to placate his audience, I, for one, am glad of it. I could easily see this hilarious show becoming a new holiday tradition.

Clownshow’s “Charles Dickens Begrudgingly Performs ‘A Christmas Carol’ Again” runs through December 28 at Theater Wit, 1229 West Belmont. Tickets are $45, available at dickensagain.com.

Tagged:
  • Blake Montgomery
  • Clownshow
  • Jonathan Berry
  • Theater Wit

Post navigation

Previous Post Northlight’s “Gaslight” Turns One Husband’s Manipulation Into a Victorian Detective Caper
Next Post TUTA Theatre Packs Life’s Pains and Pleasures into One “Long Christmas Dinner”
Three people sit on the floor around a bed, laughing and drinking together in a cozy, colorful room with rugs, pillows, and a dresser. Empty chairs line the wall, and a photo is taped to a white door in the background.

The Teenagers in “Adolescent Salvation” Are Not Just Kids The Chicago premiere of Tim Venable's play starts as a Zoomer screwball and ends as an indictment of the way adults fail to protect their children.

Rob Silverman Ascher August 31, 2026
Two performers, one wearing a large theatrical mask and carrying a suitcase, embrace warmly on a dimly lit stage with dark brick walls in the background.

From Dance to Circus: A Riotous Journey with Physical Theater Festival The annual festival brings many performance types under its umbrella.

Sharon Hoyer May 27, 2026
A young person with long hair, wearing shorts, leaps energetically off a sandy hill, silhouetted against a clear blue sky with trees in the background.

Dance Top 5: June 2026

Sharon Hoyer May 26, 2026
A black and white photo of a person lying motionless on a table, partially covered by a sheet, in a dark and empty room. A spotlight illuminates the body, emphasizing a somber and dramatic atmosphere.

“The Shape of the Bones” Has Promise but Needs To Be Fleshed Out Playwright Spencer Huffman’s religious drama—and New Theatre Project’s first production in a conventional theater space—boasts some excellent performances in a story that doesn’t quite satisfy.

Hugh Iglarsh March 6, 2026

Newcity cover showing woman with red hair and bird-face, with nest and crow on top of head.

September Issue
Fall Arts + Art 50

GET A COPY

SUBSCRIBE

NewcityLogo.png
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026