• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Members Hub
Newcity Stage logo

Solid Singing Takes Lyric’s “Così” Beyond Buffoonery Lyric’s production transports the Da Ponte-Mozart opera to a 1930s seaside resort, where the colors, costumes, scenery and approach are overstated.

by Dennis Polkow | February 6, 2026

by Dennis Polkow
February 6, 2026February 5, 2026Filed under:
  • Featured
  • Opera
  • Opera Reviews
  • Recommended Opera
Six actors perform on stage in colorful costumes, including striped outfits and wide-brimmed hats, in front of painted palm trees and a pool backdrop, evoking a lively, summery outdoor setting.

Lyric’s “Così fan tutte,” with company/Photo: Cory Weaver

RECOMMENDED

The last of the triptych of Da Ponte-Mozart collaborations, “Così fan tutte,” came to be viewed as treating feminine fidelity in such a cavalier manner that, despite it featuring some of Mozart’s most exquisite music, it fell out of favor in the opera house for nearly a century.

It has only been since the Second World War that “Così” started to become standard repertoire, though often with changes or stagings that blunted the brilliance of its sophisticatedly whimsical libretto.

Lyric’s current production is the 2021 finale of late director Michael Cavanagh’s modern updating of the three Da Ponte-Mozart operas for San Francisco Opera. (Roy Rallo directs the Lyric incarnation.)

The transposition is to a 1930s seaside resort, where the colors, costumes, scenery and approach are overstated and buffoonish. Things are over-the-top, the action subsequently drags and it often feels as if the entire cast is acting in italics.

Three women perform on stage. One, dressed as a nurse in a blue uniform, stands and sings. The other two, dressed alike in pink tops, blue skirts, and red hats, sit on benches, facing forward with surprised expressions.

Lyric’s “Così fan tutte,” with Ana Maria Martinez, Jacquelyn Stucker and Cecilia Molinari/Photo: Cory Weaver

When a serious moment does arrive via an aria, duet, trio or ensemble, the tendency is to shut out the silly world the singers inhabit by placing them outside of the scenery via sudden screens.

Three of the four romantic leads were making their Lyric debuts: soprano Jacquelyn Stucker as Fiordiligi, Italian mezzo soprano Cecilia Molinari as Dorabella and tenor Anthony León as Ferrando. All were impressive, but León’s clarion and organic-sounding tenor was the standout at Sunday’s opening performance. Baritone and Ryan Center alumnus Ian Rucker made a convincing Guglielmo.

Puerto Rican soprano Ana María Martínez, who sang Fiordiligi at Lyric’s last “Così” eight years ago, has since transitioned to the role of the maid Despina; this production calls for her to overemphasize the comedy. Baritone Rod Gilfry makes a philosophical Don Alfonso.

Lyric music director Enrique Mazzola did a wonderful job keeping the music balanced, buoyant and nuanced. Bravo.

Lyric’s “Così fan tutte” runs through February 15 at Lyric Opera House, 20 North Wacker (at Madison). For tickets and more information, visit lyricopera.org.

Tagged:
  • Ana Maria Martinez
  • Anthony León
  • Cecilia Molinari
  • Enrique Mazzola
  • Ian Rucker
  • Jacquelyn Stucker
  • Michael Cavanagh
  • Rod Gilfry
  • Roy Rallo

Post navigation

Previous Post A Short and Sweet “Hamlet” at Chicago Shakes
Next Post Redtwist Theatre’s “Confederates” Tells Two Stories Across Two Different Eras
A man in a red, fur-trimmed coat and sunglasses stands in a grand hall with orange fog, holding a sculpted head. Dramatic lighting and pillars frame the scene.

Stage Top 5: October 2026

Todd Hieggelke September 30, 2026

Lyric Opera’s Sunday in the Park Showcases Selections From the Upcoming Season On Sunday evening, the opera company performed selections from five of the six staged operas that will make up its 2026-27 season, among other works.

Dennis Polkow August 28, 2026
The ornate entrance of the Civic Opera House in Chicago, with a Lyric Opera sign, flanked by tall city buildings and lush greenery with flowers in the foreground.

Lyric’s John Mangum and Enrique Mazzola Discuss the 2026-27 Opera Season Mangum, the Lyric's general director, president and CEO, and Mazzola, the Lyric's music director, discuss what's in store for the opera company in the year ahead.

Dennis Polkow April 17, 2026
Two people stand against a plain light background, smiling. The woman on the left has short curly hair and wears a black scarf, while the man on the right has white hair, a beard, and a black shirt with a bold white circular pattern.

Players 50 2026: The Institutions

Newcity January 14, 2026

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026