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Aaron Hunt

by Aaron Hunt | May 23, 2025

Filling the Gap: Opera Festival of Chicago Makes The Summer Sing

by Aaron Hunt | October 25, 2022

By The Sword Excalibur: A Review of Camelot at Music Theater Works

by Aaron Hunt | October 24, 2022

In The Library With A Quip and A Pratfall: A Review of Clue at Mercury Theater

by Aaron Hunt | September 12, 2022

Lyric Opera Opens With A Verdian Banquet: A Review of Ernani at Lyric Opera

by Aaron Hunt | May 10, 2022

Ghosts of Georgia: Is Terry Guest’s “The Magnolia Ballet” Fable or Parable?

by Aaron Hunt | January 12, 2022

Children Will Find The Door: A Review of Mary Rose at Black Button Eyes Productions

by Aaron Hunt | December 9, 2021

Is That A Heart In Your Handbag? A Review of Christmas Dearest at Hell In A Handbag Productions

by Aaron Hunt | November 15, 2021

Love Songs From The Rainforest: A Review of Florencia en el Amazonas at Lyric Opera of Chicago

by Aaron Hunt | November 5, 2021

Mozart With Singing Heads: A Review of Magic Flute at Lyric Opera of Chicago

Sondra Radvanovsky, Craig Colclough/Photo:

by Aaron Hunt | September 21, 2021

Prophesy Proves True: A Review of Macbeth at Lyric Opera

by Aaron Hunt | December 22, 2020

Living on the Precipice: A Review of I Hate It Here: Stories from the End of the Old World at Studio Theatre

by Aaron Hunt | December 1, 2020

What Common Ground: A Review of The Diplomats at Random Acts

by Aaron Hunt | September 1, 2020

Keeping it Simple: Lyric Opera Opens the Fall Arts Season in Your Living Room

by Aaron Hunt | April 27, 2020

Scholastic Media: Lyric Opera Empowers Youth During COVID-19

by Aaron Hunt | March 18, 2020

Renewal Over Replication: A Passing of the Baton at Lyric Opera

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