by Dennis Polkow | November 20, 2023Witch Way: Chicagoan Melody Betts Eases Down the Roads of “The Wiz”
by Dennis Polkow | November 14, 2023Ghost of a Show: A Review of “Beetlejuice” at the Auditorium Theatre
by Dennis Polkow | November 13, 2023French Fireworks: A Review of “Daughter of the Regiment” at Lyric Opera
by Dennis Polkow | November 6, 2023Something Is Wanting: A Review of “Company” at Broadway in Chicago
by Dennis Polkow | October 25, 2023Heading for the Highlands: A Review of “Brigadoon” at Music Theater Works
by Dennis Polkow | October 12, 2023Halloween Hoopla: A Review of “Holy Ghost Bingo: God, Goblins & Games” at the Greenhouse Theater Center
by Dennis Polkow | October 6, 2023Satchmo Century: New Musical Looks at the Legacy of Louis Armstrong
by Dennis Polkow | October 4, 2023Moving Monster: Joffrey Presents Late Choreographer’s Epic and Empathetic Take on “Frankenstein”
by Dennis Polkow | September 26, 2023Treading Water: A Review of “The Flying Dutchman” at Lyric Opera
by Dennis Polkow | August 24, 2023Starless Summer: “Sunday in the Park with Lyric” Previews Opera Season
by Dennis Polkow | August 14, 2023Searching for the Man in the Mirror: A Review of “MJ: The Musical” at Broadway in Chicago
by Dennis Polkow | June 5, 2023Best Production of the Best Musical: A Review of “West Side Story” at Lyric Opera
