by Erin Shea Brady | December 15, 2020Captivating and Necessary: About Face Theatre’s KICKBACK Festival Celebrates Queer Black Excellence
by Erin Shea Brady | October 27, 2020Our One Impossible Thing: A Review of Collaboraction’s “We Still Dream: The 5th Annual Peacebook Festival”
by Erin Shea Brady | February 5, 2020Strength in Vulnerability: A Review of How to Defend Yourself at Victory Gardens Theater
by Erin Shea Brady | December 24, 2019Pursuit of Perfection: A Review of Dance Nation at Steppenwolf Theatre Company
by Erin Shea Brady | September 16, 2019Sweet and Savored: A Review of Tiny Beautiful Things at Victory Gardens
by Erin Shea Brady | May 13, 2019New Side, Same Story: A Review of West Side Story at Lyric Opera of Chicago
by Erin Shea Brady | March 6, 2019Through Thick and Thin: A Review of I Wanna Fucking Tear You Apart at Rivendell Theatre Ensemble
by Erin Shea Brady | October 30, 2018A Call for Change : A Review of Small Mouth Sounds at A Red Orchid Theatre
by Erin Shea Brady | October 29, 2018Unpacking a Diva : A Review of Master Class at TimeLine Theatre Company
by Erin Shea Brady | September 30, 2018A Long Time Coming: A Review of Caroline, Or Change at Firebrand Theatre & TimeLine Theatre Company
by Erin Shea Brady | September 2, 2018The Journey to Sisterhood : A Review of A Shayna Maidel at TimeLine Theatre Company
by Erin Shea Brady | June 22, 2018Discomfort Over Oppression: A Conversation On Non-Binary Inclusion with Emilie Modaff, Avi Roque and Catherine Miller
by Erin Shea Brady | June 12, 2018A Call To Engage: A Review of This Boat Called My Body at For Youth Inquiry
