May 22, 2023 at 7:00 am by Hugh IglarshLoveless Truths: A Review of “The Whistleblower” at Theater Wit
May 5, 2023 at 7:00 am by Hugh IglarshWorkplace War Zone: A Review of “In the Back/On the Floor” at Stage Left
April 24, 2023 at 7:00 am by Hugh IglarshSurface Level: A Review of the Joffrey Ballet’s The Little Mermaid
March 31, 2023 at 7:00 am by Hugh IglarshA Well-Intentioned Hell: A Review of “Babel” at Redtwist Theatre
March 23, 2023 at 7:00 am by Hugh IglarshArt Isn’t Nice: A Review of “The Threepenny Opera” at Theo Ubique Cabaret Theatre
March 3, 2023 at 7:00 am by Hugh IglarshOpposing Possibilities: A Review of “Heisenberg, The Uncertainty Principle” at Griffin Theatre Company
February 27, 2023 at 7:00 am by Hugh IglarshOverheated: A Review of Anna in the Tropics at Remy Bumppo
February 20, 2023 at 7:00 am by Hugh IglarshGorgeous Surface, Hidden Depths: A Review of Joffrey Ballet’s “Anna Karenina” at the Lyric Opera House
February 10, 2023 at 7:00 am by Hugh IglarshNot-So-Funny Valentine: A Review of “Almost, Maine” at Oil Lamp Theater
January 25, 2023 at 7:00 am by Hugh IglarshHumdrum Horror: A Review of “The Birthday Party” at City Lit
December 7, 2022 at 7:00 am by Hugh IglarshPolarized in Paradise: A Review of “Cabin Fever” at Adamson Road Theatre Company
November 23, 2022 at 7:00 am by Hugh IglarshPredictable Chaos: A Review of “It Runs in the Family” at Citadel Theatre Company
November 15, 2022 at 7:00 am by Hugh IglarshWanting to Be Seen: A Review of “Trouble in Mind” at TimeLine Theatre
November 10, 2022 at 7:00 am by Hugh IglarshFull Frontal Satire: A Review of “The Conspirators’ 125th Anniversary Jubilee, Featuring ‘The Ineptidemic,’” at Otherworld Theatre
October 27, 2022 at 7:00 am by Hugh IglarshDreary But Not Scary: A Review of The Gift Theatre’s “The Locusts” at Theater Wit
