by Mary Wisniewski | September 29, 2023An Odd Dream: A Review of “The Pragmatists” at Trap Door Theatre
by Mary Wisniewski | September 27, 2023This Could Be Anywhere: A Review of “The Consul” at Third Eye Theatre Ensemble
by Mary Wisniewski | September 22, 2023Let’s Get Weird: A Review of “Revolution” at A Red Orchid Theatre
by Mary Wisniewski | September 21, 2023The Dinner Party: A Review of “Welcome to Matteson!” at Congo Square Theatre
by Mary Wisniewski | September 6, 2023A Safe Space: How Martyna Majok Channeled Her Immigrant Struggle Into Playwriting Success
by Mary Wisniewski | August 7, 2023A Saccharine Set: A Review of “Next to Normal” at Paramount Theatre
by Mary Wisniewski | July 21, 2023Crossed Paths: In “Port of Entry” the Albany Park Theater Project Uses Immersive Theater to Explore the Immigrant Experience
by Mary Wisniewski | July 17, 2023The Godmother of Rock: A Review of “Marie and Rosetta” at Northlight Theatre
by Mary Wisniewski | July 12, 2023Changing the Stakes: At Twenty-Five Years, Congo Square Theatre Charts a Radically Expansive Future
by Mary Wisniewski | June 28, 2023Life Goes On: A Review of “Another Marriage” at Steppenwolf Theatre
by Mary Wisniewski | May 1, 2023A Salute To Power: A Review of “Panther Women: An Army for the Liberation”
