by Nathaniel Fishburn | July 18, 2022“I’m Really Stuck Here with You?” An Interview with HATE/LAB on “Perforated Play” at the Facility Theatre
by Nathaniel Fishburn | June 30, 2022A Feather-Light Comedy: A Review of “A Fine Feathered Murder” by Hell in a Handbag
by Nathaniel Fishburn | June 7, 2022The Mind is its Own Place: A Review of “Hand to God” at the Paramount Theatre
by Nathaniel Fishburn | May 17, 2022The Wreckage of a Body: A Review of “Medea Material” at Trap Door Theater
by Nathaniel Fishburn | May 4, 2022What to Neglect When You’re Neglecting: A Review of “Emma’s Child” at City Lit Theater
by Nathaniel Fishburn | May 3, 2022Oh, To Be Young Again: A Review of “All’s Well That Ends Well” at Chicago Shakespeare
by Nathaniel Fishburn | April 29, 2022Death of the Inventor: A Review of “I Build Giants” by The Plagiarists
by Nathaniel Fishburn | March 25, 2022A Little Lie (For a White Guy): A Review of “WHITE” at Steppenwolf, produced by Definition Theatre
by Nathaniel Fishburn | March 23, 2022The Industrial Lower Depths: A Review of “Sweat” at Paramount Theatre
by Nathaniel Fishburn | February 28, 2022(Un)Dressed for Success: A Review of “Don’t Dress for Dinner” at Brightside Theatre
by Nathaniel Fishburn | February 10, 2022Being for the Benefit of Mr. Ohey: A Review of “The Martyrdom of Peter Ohey” at Trap Door Theatre
