by Noel Schecter | October 26, 2023Sending in The Clowns: A Review of “A Little Night Music” at BrightSide Theatre
by Noel Schecter | October 18, 2023Counting Murders to Go to Sleep: A Review of “Night Watch” at Raven Theatre
by Noel Schecter | June 15, 2023Party Like It’s 2008: A Review of “Obama-ology” at the Noyes Cultural Arts Center
by Noel Schecter | May 12, 2023We Come into Parenthood Fully Formed: A Review of “Antonio’s Song/ I Was Dreaming of a Son” at Goodman Theatre
by Noel Schecter | April 24, 2023Pickin’ Together A New World: A Review of “The Porch on Windy Hill: a new play with old music” at Northlight Theatre
by Noel Schecter | February 8, 2023Earning Its Fifteen Minutes of Fame: A Review of “Andy Warhol’s Tomato” by the Buffalo Theatre Ensemble
by Noel Schecter | January 17, 2023No One Throws A Party Quite Like The Communist Party: A Review of Krugozor at The Factory Theater
by Noel Schecter | November 9, 2022A Domestic Nightmare: A Review of American Son at the Fleetwood-Jourdain Theatre
by Noel Schecter | October 31, 2022An Unflinching Look at America’s Border: A Review of Theo Ubique’s Refuge
by Noel Schecter | September 19, 2022Drinking the Kool-Aid: A Review of The HOA at the Factory Theater
by Noel Schecter | September 16, 2022The Best of Dumpster Dives: A Review of The Garbologists at Northlight Theatre
by Noel Schecter | August 23, 2022One of the Harlem Renaissance’s Brightest Lights: A Review of My Brother Langston at the Black Ensemble Theater
by Noel Schecter | August 15, 2022Growing Up in A House of Mirrors: A Review of Fun Home at Copley Theater
by Noel Schecter | April 26, 2022Amped Up and Ready to Rock: A Review of Rock of Ages at Paramount Theatre
