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Theater, Dance, Comedy and Performance in Chicago

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Robert Eric Shoemaker

Two performers in casual clothing balance and lean on suspended wooden planks during a stage performance.

by Robert Eric Shoemaker | October 2, 2026

“I Am the Wind” Illuminates the Foggy Unknown This delicate play at Theatre Y stages the precipice—the line between life and death—and what it means when someone chooses to cross it.

A theatrical performance with a central figure standing triumphantly on a raised platform, surrounded by expressive dancers in dramatic poses, with colorful stage lighting and fog effects.

by Robert Eric Shoemaker | September 9, 2026

Kokandy’s Musicals for Now Chicago’s storefront company on the meaning of success.

A large group of people pose and smile together in a cozy room with bookshelves, decorative ceiling, and warm lighting. Most are casually dressed and relaxed as they look at the camera.

by Robert Eric Shoemaker | August 17, 2026

Let Composers Rock Instrumental Theatre Company introduces the Chicago Theatre Composers Club.

Squares of translucent material with embedded objects are attached to a wall, illuminated by green and blue reflections that resemble water or nature scenes. The atmosphere is calm and artistic.

by Robert Eric Shoemaker | August 12, 2026

It Was a Pleasure To Burn Non:op’s "Inventory of Lost Books" immerses itself in design and abstraction.

Four actors wearing animal masks perform dramatically on stage under orange spotlight, striking expressive poses. The background is dimly lit with posters and props, creating a mysterious atmosphere.

by Robert Eric Shoemaker | July 16, 2026

“Safe Landing: Coyote Embrace” Is Caught Between Genres Authentic Chicago Ensemble production spans everything from coyote-masked interpretive dance to a thriller with hitmen, trapping itself in too many conflicting choices.

A person in a striped dress stands in the dark, holding a lit match with a fearful expression, their face illuminated by the flame.

by Robert Eric Shoemaker | May 15, 2026

In This “Covenant,” Thrills Will Have You Say “Jesus, Don’t Do That!” Goodman Theatre’s gothic thriller delivers us from and unto evil.

Six adults dressed in 1920s-style clothing pose together indoors, surrounded by vintage radios and dark decor. Some are standing while others sit, giving serious and dramatic expressions.

by Robert Eric Shoemaker | January 23, 2026

Dinner and a Show with the Chicago Mob Behind the scenes of Nitti's Supper Club presents “Who Killed Eddie O’Hare? A True Crime History Mystery Musical” at Harry Caray’s Italian Steakhouse.

A large screen shows a person in yellow glasses behind two puppet-like cardboard figures; one is holding a top hat and the other appears robotic. Below the screen is a small, decorated stage with holiday garlands.

by Robert Eric Shoemaker | December 19, 2025

Make Room Beside the Muppets for “Manual Cinema’s Christmas Carol” The work of this world-class company at Studebaker Theater is required viewing.

by Robert Eric Shoemaker | November 6, 2025

This Is the Moment for Kokandy’s “Jekyll & Hyde” Jaw-dropping vocals breathe life into a melodramatic cult favorite.

by Robert Eric Shoemaker | October 23, 2025

Dracula Sails Again in “Strange Cargo: The Doom of the Demeter” More than a few surprises lurk in this ship’s hold, a perfect spooky season treat from City Lit.

by Robert Eric Shoemaker | October 10, 2025

“Oak” Drips With Campy and Real-World Horror for a Small Town Black Family Raven Theatre’s production tells us where the monsters are and runs the other way.

by Robert Eric Shoemaker | September 15, 2025

Chicago’s New Golden Age of Magic A magic mansion with major funding enters a city where the art form already flourishes.

Amelie surprised next to a man showing a piece of paper with writing

by Robert Eric Shoemaker | August 6, 2025

Camp Acts of Connection: A Review of “Amélie” at Kokandy Productions

by Robert Eric Shoemaker | June 12, 2025

“What Risk There Is In the World”: Revising “An Iliad” at Court Theatre

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

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