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Ted C. Fishman

A woman stands and speaks in the center of a theater stage, surrounded by five people seated in a circle of chairs, under bright stage lights with a dark background.

by Ted C. Fishman | May 12, 2026

In “Octet,” Music Slays the Online Beast Dave Malloy's wondrous musical at Raven Theatre follows eight people in group therapy for internet addiction who use a cappella singing for healing.

An older man in a suit stands triumphantly with a sword raised, foot on the back of a young man lying face down on a living room floor, with elegant furniture and bookshelves in the background.

by Ted C. Fishman | April 30, 2026

“Fault” Is in the Scars: Battling Couple Comedy Crackles and Cracks Jason Alexander directs this world premiere at Chicago Shakespeare Theater, a “marital combat” play with tightly wound action that takes repeated shots at the intimate lives of its coupled characters.

A woman stands and leans on a desk, speaking to a seated older man in an office setting with a window showing a bridge, a lamp, and papers on the desk.

by Ted C. Fishman | April 22, 2026

“Job” Is a Terreur de Force Writers Theatre's production stars Rae Gray as a Big Tech employee undergoing an evaluation with a therapist played by Christopher Donahue.

A woman in a maroon dress confronts a bearded man in a red robe who is kneeling on top of a large wicker chest. In the background, two other people embrace near a white couch on a modern stage set.

by Ted C. Fishman | April 13, 2026

Shakespeare’s Raucous Farce Is Filled with Puns, Pratfalls and Pleasures Chicago Shakespeare Theater stages "The Merry Wives of Windsor," a comedy that is produced less often than others in the Bard's canon, but worth catching.

A woman in a gold robe stands center stage, addressing another woman in black. Two people watch from a cozy, colorful living room set. The background shows a kitchen and warm lighting.

by Ted C. Fishman | March 19, 2026

“The Drowsy Chaperone” Is A Balm in Giddy Act Theo Ubique turns small-scale staging into a big-hearted musical escape, where director L. Walter Stearns immerses the audience in the world of the Man in Chair’s imagination.

Lawrence Edelson headshot

by Ted C. Fishman | February 25, 2026

Kurt Weill’s “Der Silbersee” Gets Its Chicago Premiere Nearly a Century Later Chicago Opera Theater is staging the opera that premiered in Germany in 1933 before being banned by the Nazi party.

by Ted C. Fishman | April 17, 2025

Battles on Language: A Review of “Translations” at Writers Theatre

by Ted C. Fishman | April 3, 2025

Sound of the Hum: A Review of “The Listeners” at Lyric Opera

A woman on stage poses in front of a photo of kids as the background.

by Ted C. Fishman | March 20, 2025

Hamlet-Inspired: A Review of Teatro La Plaza’s “Hamlet” at Chicago Shakespeare Theater

by Ted C. Fishman | December 20, 2024

Not Your Usual Christmas Show: A Review of Manual Cinema’s “Christmas Carol” at Studebaker Theater

by Ted C. Fishman | November 12, 2024

Refreshingly Comedic: A Review of “The Marriage of Figaro” at Lyric

by Ted C. Fishman | October 25, 2024

Classic with a Spin: A Review of Broadway In Chicago’s “Some Like It Hot” at Cadillac Palace Theatre

by Ted C. Fishman | October 18, 2024

No Plot Spoiler, Just Joy: A Review of “Primary Trust” at Goodman Theatre

by Ted C. Fishman | October 10, 2024

Soul Passion: A Review of Black Ensemble Theater’s “Blue Eyed Soul Sung by Brown Eyed People”

by Ted C. Fishman | September 30, 2024

The Truths Still Resonate: A Review of “Inherit the Wind” at Goodman Theatre

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