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Theater, Dance, Comedy and Performance in Chicago

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Valerie Jean Johnson

by Valerie Jean Johnson | February 8, 2011

A New Door Opens: What happens after Goat Island

by Valerie Jean Johnson | November 2, 2010

Review: Me Too, I Am Catherine Deneuve/Trap Door Theatre

by Valerie Jean Johnson | October 12, 2010

Global Reverberations: Cultural powerhouses team up to bring Japan’s leading Butoh company, Sankai Juku, to Chicago for the first time

by Valerie Jean Johnson | April 5, 2010

True Lies: John Jasperse collaborates in search of beauty

by Valerie Jean Johnson | March 22, 2010

Preview: IN>TIME Performance Series/Chicago Cultural Center

by Valerie Jean Johnson | March 23, 2009

Breaking Ground: Marc Bamuthi Joseph surveys the landscape of hip-hop culture

by Valerie Jean Johnson | March 9, 2009

Stage Combat: Caryl Churchill’s contentious history of Israel premieres in Pilsen

by Valerie Jean Johnson | February 24, 2009

There Will Be Skin: Heather Woodbury imagines a stripper’s century

by Valerie Jean Johnson | December 23, 2008

Valk Like a Man: The Wooster Group’s Kate Valk discusses Eugene O’Neill’s controversial classic, “The Emperor Jones”

by Valerie Jean Johnson | November 18, 2008

Master of Puppets: Blair Thomas returns to the MCA

by Valerie Jean Johnson | November 3, 2008

Voices from the Dead: SITI Company returns to Chicago with the “ultimate ghost story” in Radio Macbeth

by Valerie Jean Johnson | October 12, 2008

Review: Seven Doors (Sieben Türen)/Premiere Theatre and Performance

by Valerie Jean Johnson | September 23, 2008

Taking Flight: A Red Orchid chronicles an artist’s fight with MS

by Valerie Jean Johnson | September 23, 2008

Review: Dave DaVinci Saves the Universe/House Theatre

by Valerie Jean Johnson | September 15, 2008

Galati-esque: Steppenwolf takes on Haruki Murakami’s “Kafka on the Shore”

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