by Sharon Hoyer | May 24, 2023Through Grief and Frustration, Joy: A Review of Cerqua Rivera Dance Theatre
by Hugh Iglarsh | February 20, 2023Gorgeous Surface, Hidden Depths: A Review of Joffrey Ballet’s “Anna Karenina” at the Lyric Opera House
by Sharon Hoyer | October 12, 2022Close Reading: A Review of The Seldoms’ Toolbox @ Twenty at Hyde Park Art Center
by Hugh Iglarsh | June 6, 2022Not Quixotic Enough: A Review of the Joffrey Ballet’s “Don Quixote” at the Lyric Opera House
by Hugh Iglarsh | October 20, 2021Bodily Grace, Spiritual Fire: A Review of Joffrey Ballet’s “Home: A Celebration” at the Lyric Opera House
by Sharon Hoyer | March 9, 2021Sips of Hope: A Review of “Press on, regardless” by Winifred Haun & Dancers
by Erin Shea Brady | October 27, 2020Our One Impossible Thing: A Review of Collaboraction’s “We Still Dream: The 5th Annual Peacebook Festival”
by Sharon Hoyer | October 6, 2020Reminders of Beauty and Grace: A Review of “Steps in the Garden” by Winifred Haun & Dancers
by Sharon Hoyer | September 29, 2020Disorientation and Confinement: A Review of KAOS by Hedwig Dances
by Sharon Hoyer | November 25, 2019Dancing in the Moonlight: A Review of RE|Dance Group’s “What The Moon Pulls” at Filament Theatre
by Alyssa Motter | April 6, 2019Iconoclastic Dance of Israel: A Review of Gauthier Dance’s “Mega Israel” at the Harris Theater of Music and Dance
by Sharon Hoyer | April 6, 2019Observer Effect: A Review of Mad Shak’s Of Whales, Time, and Your Last Attempt to Reach Me
by Sharon Hoyer | March 13, 2019Fight or Flight: A Review of Escapes & Reversals at Unity Lutheran Church
