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Theater, Dance, Comedy and Performance in Chicago

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Performance

A man dressed as a cowboy kneels on stage holding a revolver, wearing a brown coat and black hat, with a wooden saloon backdrop and dramatic lighting.

by Mary Wisniewski | September 3, 2026

City Lit’s “Shane” Brings the Western Novel to the Stage Mark Pracht's adaptation of the 1949 book rewrites masculinity in a Western setting, with a phenomenal performance by lead Michael B. Woods.

A woman in a red skirt and black top stands on stage as a man in a vest embraces her from behind. Other actors and dramatic lighting create a tense, theatrical atmosphere.

by Todd Hieggelke | August 24, 2026

Stage Top 5: September 2026

A person with long dark hair partially covering their face holds their hair with one hand. They are wearing a black sleeveless top and have a feather tattoo on their upper arm. The background is plain and light.

by Sharon Hoyer | August 18, 2026

Understanding Rage: Haas’ “The Anger Project” Comes to Bim Bom Studios “I start with anger because it’s the most taboo.”

Squares of translucent material with embedded objects are attached to a wall, illuminated by green and blue reflections that resemble water or nature scenes. The atmosphere is calm and artistic.

by Robert Eric Shoemaker | August 12, 2026

It Was a Pleasure To Burn Non:op’s "Inventory of Lost Books" immerses itself in design and abstraction.

Two performers, one wearing a large theatrical mask and carrying a suitcase, embrace warmly on a dimly lit stage with dark brick walls in the background.

by Sharon Hoyer | May 27, 2026

From Dance to Circus: A Riotous Journey with Physical Theater Festival The annual festival brings many performance types under its umbrella.

A woman stands confidently with arms outstretched in front of a blue background filled with white, geometric, interconnected circular patterns.

by Eileen B. Fisher | April 21, 2026

Leslie Cuyjet Probes the Value of Black Lives — and Deaths — in “For All Your Life” at the MCA "Leslie uses her own body—quite bravely—to narrate the horror (and horrific normalization) of human commodification."

A barefoot man in a black outfit and cap sits with arms crossed on a large stone, with one leg extended and the other bent, against a plain concrete wall background.

by Sharon Hoyer | April 8, 2026

Round and About: The Driehaus Dance of Brendan Fernandes Fernandes’ practice encompasses just about any medium you can name—dance, sculpture and design, textiles and fashion, photography and film—and is often in conversation with the spaces that contain it.

A performer wearing a blue outfit, black-and-white striped apron, red socks, and red shoes sings passionately on stage, with musicians playing in the background under purple lighting.

by Sharon Hoyer | March 17, 2026

Through the Roof: Grelley Duvall Goes for the Statuette with Best Actress Full-spectrum emotionally gratifying theater, signed and sealed in a love letter to pop culture.

by Sharon Hoyer | January 13, 2026

The Complexity of the Human Experience Expressed Through The Chicago International Puppet Theater Festival The largest puppet theater festival in North America returns to warm up crowds with a vast array of artistry from around the globe, including an adaptation of Ursula K. LeGuin's "The Left Hand of Darkness."

Two men in wigs face each other over a bright red background.

by Todd Hieggelke | November 3, 2025

Stage Top 5: November 2025

by Robert Eric Shoemaker | September 15, 2025

Chicago’s New Golden Age of Magic A magic mansion with major funding enters a city where the art form already flourishes.

by Sharon Hoyer | September 2, 2025

A Mini-Fringe: Chicago Danztheatre Ensemble Reimagines the Full Circle Festival

Actor as Michael Jackson dancing on stage.

by Dennis Polkow | August 18, 2025

Keeping the Faith: A Review of “MJ: The Musical” at Broadway In Chicago

by Mary Wisniewski | July 17, 2025

Half the Troupe, All the Passion: A Review of “Circus Abyssinia: Ethiopian Dreams” at Chicago Shakespeare Theater

by Sharon Hoyer | July 15, 2025

Final Flight: A Review of “The Fly Honey Show” at Thalia Hall

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