by Tristan Bruns | September 25, 2023The Price of Freedom: A Review of “Blues for an Alabama Sky” at Remy Bumppo
by Mary Wisniewski | September 22, 2023Let’s Get Weird: A Review of “Revolution” at A Red Orchid Theatre
by Mary Wisniewski | September 21, 2023The Dinner Party: A Review of “Welcome to Matteson!” at Congo Square Theatre
by Tristan Bruns | September 20, 2023Snap, You’re Caught! A Review of “The Mousetrap” at Citadel Theatre
by Tristan Bruns | September 19, 2023Follow the Recipe: A Review of “Baked! The Musical” at Theo Ubique
by Hugh Iglarsh | September 15, 2023A Classic American Millerdrama: A Review of “A View from the Bridge” at Shattered Globe Theatre
by Tristan Bruns | September 14, 2023Pinch of Soul, Dash of Fun: A Review of “Taste of Soul” at Black Ensemble Theater
by Tristan Bruns | September 13, 2023A Goofy Comedy with a Lot of Heart: A Review of “Mic Father Like Son” by Subtext Theater Company
by Tristan Bruns | September 12, 2023It’ll Grow On You: A Review of “Little Shop of Horrors” at Paramount Theatre
by Christine Trevino | September 11, 2023Country Boy: A Review of “Ring of Fire: The Music of Johnny Cash” at Drury Lane Theatre
by Tristan Bruns | September 8, 2023A Cult Classic: Kokandy Productions Brings Back the Storefront Musical with “American Psycho”
by Mary Wisniewski | September 6, 2023A Safe Space: How Martyna Majok Channeled Her Immigrant Struggle Into Playwriting Success
by Tristan Bruns | September 5, 2023The Original “Dance Mom”: A Review of “Gypsy” at Marriott Theatre
