by Todd Hieggelke | December 8, 2025Manual Cinema Share Their Favorite Puppets From Their New Christmas Classic
by Amanda Finn | December 9, 2024A Welcome Visitor: A Review of “Jacob Marley’s Christmas Carol” at Lifeline Theatre
by Dennis Polkow | December 4, 2023The Chronicles of Nativity: Using C. S. Lewis as a Conduit for Christmas
by Carl Kozlowski | November 29, 2023Holiday Nostalgia: A Preview of “The Mike Toomey Christmas Special” at Zanies
by Tristan Bruns | December 20, 2022Morals vs. Monstrosities: A Review of Hershel and the Hanukkah Goblins at Strawdog Theatre Company
by Dennis Polkow | December 13, 2022Just Like the Ones We Used to Know: Music Theater Works Stages “White Christmas”
by Dennis Polkow | December 9, 2022Few Tricks or Treats: A Review of A Magical Cirque Christmas at Broadway in Chicago
by Tristan Bruns | December 8, 2022The Gold Standard: A Review of “The Golden Girls: The Lost Episodes—The Obligatory Holiday Show” at Hell in a Handbag
by Dennis Polkow | December 5, 2022Out of the Darkness: A Review of It’s a Wonderful Life: Live in Chicago! at American Blues Theater
by Mary Wisniewski | November 29, 2022Deep Emotion: A Review of “The Steadfast Tin Soldier” at the Lookingglass Theatre
by Dennis Polkow | December 15, 2021Through the Holiday Looking-Glass: A Review of “Becoming Santa Claus” at Chicago Opera Theater
by Aaron Hunt | December 9, 2021Is That A Heart In Your Handbag? A Review of Christmas Dearest at Hell In A Handbag Productions
