by Dennis Polkow | December 5, 2023Revival Meeting Revival: A Review of “The Wiz” at Broadway in Chicago
by Christine Trevino | November 22, 2023Lovely Night: A Review of “Rodgers + Hammerstein’s Cinderella” at Drury Lane Theatre
by Dennis Polkow | November 20, 2023Witch Way: Chicagoan Melody Betts Eases Down the Roads of “The Wiz”
by Dennis Polkow | November 14, 2023Ghost of a Show: A Review of “Beetlejuice” at the Auditorium Theatre
by Dennis Polkow | November 6, 2023Something Is Wanting: A Review of “Company” at Broadway in Chicago
by Noel Schecter | October 26, 2023Sending in The Clowns: A Review of “A Little Night Music” at BrightSide Theatre
by Dennis Polkow | October 25, 2023Heading for the Highlands: A Review of “Brigadoon” at Music Theater Works
by Mary Wisniewski | October 24, 2023Monster Mash: A Review of “Young Frankenstein” at Mercury Theater
by Brian Hieggelke | October 14, 2023To Build A Dream: A Review of “A Wonderful World” at Broadway in Chicago
by Dennis Polkow | October 6, 2023Satchmo Century: New Musical Looks at the Legacy of Louis Armstrong
by Tristan Bruns | September 19, 2023Follow the Recipe: A Review of “Baked! The Musical” at Theo Ubique
by Tristan Bruns | September 14, 2023Pinch of Soul, Dash of Fun: A Review of “Taste of Soul” at Black Ensemble Theater
by Tristan Bruns | September 12, 2023It’ll Grow On You: A Review of “Little Shop of Horrors” at Paramount Theatre
