by Mary Wisniewski | November 30, 2023A Joyous Mainstay: A Review of “A Christmas Carol” at the Goodman Theatre
by Christine Trevino | November 28, 2023A Yuletide Coming-of-Age: A Review of “Miss Bennet—Christmas at Pemberley” at Buffalo Theatre Ensemble
by Amanda Finn | November 27, 2023What Would Chekhov Think? A Review of “Stupid Fucking Bird” at Bluebird Arts
by Christine Trevino | November 22, 2023Lovely Night: A Review of “Rodgers + Hammerstein’s Cinderella” at Drury Lane Theatre
by Amanda Finn | November 21, 2023Truth, Lies, and Everything Else: A Review of “The Lifespan of a Fact” at TimeLine Theatre Company
by Mary Wisniewski | November 16, 2023Something Special: A Review of “The Lion in Winter” at Court Theatre
by Ted C. Fishman | November 10, 2023Funny Things Are Everywhere: A Review of “Oh, the Places You’ll Glow” at Second City e.t.c.
by Ted C. Fishman | November 9, 2023Hail to the Chief: A Review of “POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive” at Steppenwolf
by Mary Wisniewski | November 7, 2023Everything’s Gonna Be Alright: A Review of “Twelfth Night” at Chicago Shakespeare Theater
by Dennis Polkow | November 6, 2023Something Is Wanting: A Review of “Company” at Broadway in Chicago
by Tristan Bruns | November 3, 2023One For The Ages: A Review of “Nyra’s Dreams” at Chicago Dramatists
by Mary Wisniewski | November 2, 2023Fairytale Terror: A Review of “The Night of the Hunter” at City Lit
by Hugh Iglarsh | November 1, 2023A Promising Start: A Review of “AmericanMYTH: Crossroads” at Free Street Theater
by Tristan Bruns | October 27, 2023I’m Not Your Muse: A Review of “Seagulls” at Oak Park Festival Theatre
