October 5, 2022 at 7:00 am by Hugh IglarshWeaponizing the American Dream: “Alma” at American Blues Theater
September 27, 2022 at 7:00 am by Brian HieggelkeOne Sick Family: Playwright Brett Neveu Channels Orson Welles, Sort of, with “The Malignant Ampersands” at A Red Orchid
September 26, 2022 at 7:00 am by Amanda FinnLeave the Doors Open: A Review of Enough to Let the Light In at Teatro Vista
September 19, 2022 at 7:00 am by Noel SchecterDrinking the Kool-Aid: A Review of The HOA at the Factory Theater
August 16, 2022 at 7:00 am by Brian HieggelkeWelcome to the Jungle: A Review of Campaigns, Inc. at TimeLine Theatre
August 8, 2022 at 12:47 am by Brian HieggelkeAfter A Fashion: A Review of “The Devil Wears Prada, The Musical” at the James M. Nederlander Theatre
July 11, 2022 at 7:00 am by Ted C. FishmanA Feeling So Strong: A Review of Pearl’s Rollin’ with the Blues, A Night with Felicia P. Fields at Writers Theatre
June 30, 2022 at 7:00 am by Nathaniel FishburnA Feather-Light Comedy: A Review of “A Fine Feathered Murder” by Hell in a Handbag
June 17, 2022 at 7:00 am by Brian HieggelkeSign of the Times: The Story Behind Natalie Moore’s Playwriting Debut, “The Billboard: A Play About Abortion”
June 9, 2022 at 7:00 am by Brian HieggelkeAll Alone in the Moonlight: A Review of “Skates” at Studebaker Theater
