by Brian Hieggelke | December 8, 2023In Living Color: A Review of “Boop! The Betty Boop Musical” at Broadway in Chicago
by Tristan Bruns | October 11, 2023It’s Everything They Say It Is, And Worse: A Review of “The American Dream” at Subtext Studio Theatre Company
by Mary Wisniewski | September 22, 2023Let’s Get Weird: A Review of “Revolution” at A Red Orchid Theatre
by Tristan Bruns | June 13, 2023First Murder, Then Tea: A Review of “Lucy and Charlie’s Honeymoon” at Lookingglass Theatre
by Hugh Iglarsh | May 5, 2023Workplace War Zone: A Review of “In the Back/On the Floor” at Stage Left
by Ted C. Fishman | April 20, 2023A Measure of Peace: A Review of “Galileo’s Daughter” at Remy Bumppo Theatre
by Tristan Bruns | April 6, 2023Moving Backwards: A Review of “A Town Called Progress” by Promethean Theatre Ensemble
by Tristan Bruns | April 5, 2023Dream Come True: A Review of “A Bump On The Leg” by Subtext Theater Company
by Tristan Bruns | March 28, 2023Bad Faith and Bad Blood: A Review of “How Blood Go” by Congo Square Theatre
by Dennis Polkow | March 24, 2023Transformation and Transfiguration: A Review of The Life and Death(s) of Alan Turing at Chicago Opera Theater
by Amanda Finn | March 22, 2023We Are All the People We’ve Loved: A Review of Layalina at Goodman Theatre
