If the road to hell is truly paved with good intentions, chances are Mayor Jane Byrne, the subject of this world premiere, was part of the construction crew.
Heidi Schreck’s play is nothing short of revolutionary but the true measure of its success will be how we carry the baton and keep the conversation going.
Somehow inane and tonally dissonant, the only tragedy in this play is that it doesn’t end sooner.
Martin McDonagh’s bedtime fable set in the grips of a totalitarian state is a familiar and oppressive nightmare.
Based on the award-winning book by local author Erika L. Sánchez, adapted by Isaac Gómez and starring ensemble member Karen Rodriguez, SYA’s production finds the stars all aligned.
March is a month for big-name companies and a wealth of fresh new work.
Directed by Wardell Julius Clark, the local premiere of James Ijames play asks for only one thing: that we listen.
The regional premiere of Leslye Headland’s play promises a “sexy psychological thriller” but leaves its audience waiting for take off interminably.
Lydia R. Diamond’s play of privilege and all it entails returns to Chicago fresher than ever.
Looking forward to look back. Also: looking forward to look forward. Just another month o’ plenty here in the windy city.