Michael John LaChiusa’s musical could have been an empowering feminist adventure based on a true story. Instead it’s a tepid moral dirge.
Co-written by ensemble members Tarell Alvin McCraney and Tina Landau, this world premiere is generous, idealistic and irresistibly queer.
New York-based Brian Brooks writes a coda to his Harris Theater residency with a revisioning of his chaotic and complex “Terrain.”
Inspired by James Joyce’s “Ulysses,” Steven Dietz’s play is structured as a chord of simultaneity rather than a sequence of events.
A presidential party, punks versus Putin, a real cliff hanger, and more usher in this first month of (fingers crossed) summer.
This new play by George Brandt broadly broaches feminist rhetoric without committing to, or really understanding, the realities of being a woman.
An out-of-this-world premiere that is more small step than big leap.
Ten days of innovative dance, music and theater by local and international artists. Curator Julieanne Ehre’s recommendation: see it all.
The unofficial “Year of Frankenstein” concludes with this world premiere adaptation that features Mary Shelley not just as author but player.
All our favorites for June.