This pristine British import is both an aesthetic curiosity and a clue to an expanded theatrical language beyond kitchen sink realism.
The soul crushing force of late capitalism surrounds this instructive new play from Abe Koogler.
A whole-hearted look at the ups and downs of growing older through a series of interwoven stories about this inevitable reality that connects us all.
Nothing that sparkles can last in Verdi’s tragedy of goodness against the world.
The Comrades step into the dark with this noir-ish thriller from Sarah Ruhl.
Directed by Marti Lyons, this precisely abridged tale of ambition and fear embodies the radically modern possibilities of theater.
With artistic director Cody Estle behind the wheel, this production alternates between slamming the gas and mashing the breaks.
Paramount Theatre makes a strong case to take a drive to Aurora with their production of this Tony Award-winning musical comedy.
Dominique Morisseau returns to Chicago with an urgent new play that maps the direct route from education to incarceration for America’s youth of color.
Master of the theoretical dramatic exercise, playwright Lucas Hnath’s latest takes on the legacy of Henrik Ibsen’s “A Doll’s House” and the institution of modern marriage.