Brandon Thomas’ 1892 farce is even better seen than remembered.
Big trauma and small aggregate coalesce in Will Arbery’s haunting and haunted play.
Things go to pieces in this production of Shakespeare’s bloodiest play.
“There is great long-term satisfaction in building something larger than yourself.”
Director Richard Jones projects psychological depth onto Tchaikovsky’s opera to such shocking effect that it must be seen to be conceived.
Time to cry…
Hardly seen in the past fifty years, the enterprising thespians at TATL offer a timely revival of this biting one-act satire by comic genius Elaine May.
Windy City Playhouse continues its streak of emotionally engaging immersive theater with Mart Crowley’s groundbreaking 1968 play.
Youth culture is at the heart of Peck’s ballet, which is danced in sneakers and streetwear to the second half of electronic musician Dan Deacon’s “America” album.
Technologically adventurous and emotionally empathetic, the local premiere of Christina Telesca Gorman’s play connects even as it diagnoses distance.