by Mary Wisniewski | May 22, 2026Camping with Conspiracy Theorists at A Red Orchid In “The Targeted,” a new play by Hanna Kime, conspiracy theorists gather at a rustic retreat for a meeting of the “Solidarity and Truth Summit.”
by Mary Wisniewski | January 30, 2026“Birds of North America” Takes Flight at A Red Orchid Theatre Anna Ouyang Moench’s father-daughter drama unfolds through birdwatching and climate anxiety.
by Charles Kenney | June 6, 2025Fraternal Twins: A Review of “Six Men Dressed Like Joseph Stalin” at A Red Orchid Theatre
by Mary Wisniewski | February 18, 2025The Dust of War: A Review of “The Cave” at A Red Orchid Theatre
by Hugh Iglarsh | August 13, 2024Two Levels of Illusion: A Review of “Road Signs” at A Red Orchid Theatre
by Mary Wisniewski | January 24, 2024Unanswered Questions: A Review of “In Quietness” at A Red Orchid Theatre
by Mary Wisniewski | September 22, 2023Let’s Get Weird: A Review of “Revolution” at A Red Orchid Theatre
by Amanda Finn | April 18, 2023When Everything Is Burning: A Review of “Is God Is” at A Red Orchid Theatre
by Brian Hieggelke | September 27, 2022One Sick Family: Playwright Brett Neveu Channels Orson Welles, Sort of, with “The Malignant Ampersands” at A Red Orchid
by Brian Hieggelke | May 11, 2022Dueling in Dystopia: A Review of “Last Hermanos” at A Red Orchid Theatre
by Ted C. Fishman | January 18, 2022Promise Her Anything, But Give Her A Moor: A Review of The Moors at A Red Orchid Theatre
by Hayley Osborn | February 3, 2020Another Day at the Office: A Review of Do You Feel Anger? at A Red Orchid Theatre
