by Tristan Bruns | September 8, 2025Instrumental Theatre Company Stages Chekhov at a Lakefront Edgewater Mansion
by Hugh Iglarsh | January 16, 2025Chekhov on the Assembly Line: New Theatre Project Talks About Its Factory-Floor Production of “Uncle Vanya”
by Hugh Iglarsh | June 14, 2024Human, All Too Human: A Review of “Three Sisters” by Invictus Theatre Company at Windy City Playhouse
by Tristan Bruns | October 27, 2023I’m Not Your Muse: A Review of “Seagulls” at Oak Park Festival Theatre
by Ted C. Fishman | April 13, 2023Emotional Mercury: A Review of “The Cherry Orchard” at Goodman Theatre
by Mary Wisniewski | March 29, 2023Changes and Endings: An Interview with Director Robert Falls on “The Cherry Orchard”
by Ted C. Fishman | May 16, 2022A Crueler Screwball Comedy: A Review of “The Seagull” at Steppenwolf Theatre
by Ben Kaye | November 13, 2019Started in the Basement, Now They’re Here: Talking With the Next Generation of Storefront Theaters
by Danielle Levsky | October 30, 2017Lost But Not Forgotten: A Review of In Sarah’s Shadow, The Eleonora Duse Story at Pop Magic Productions
by Persephone Jones | March 26, 2017Womb of Fumes: A Review of Mother of Smoke at Walkabout Theater Company and Red Tape Theatre
by Irene Hsiao | June 16, 2016Scintillates Then Incinerates A Review of "The Seagull" at The Artistic Home
